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『於于野談』 소재 귓신담 一考 (The study on ghost story in Eouyadam(於于野談))

한국학술지에서 제공하는 국내 최고 수준의 학술 데이터베이스를 통해 다양한 논문과 학술지 정보를 만나보세요.
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최초등록일 2025.06.15 최종저작일 2009.02
28P 미리보기
『於于野談』 소재 귓신담 一考
  • 미리보기

    서지정보

    · 발행기관 : 국어문학회
    · 수록지 정보 : 국어문학 / 46권 / 195 ~ 222페이지
    · 저자명 : 김선아

    초록

    This study examined about characteristics and symbolical
    significance in Gwishin(鬼神), which is material of Eouyadam(於于野
    談).
    The attitude in Yu Mong-in(柳夢寅), who recorded a story of having
    material as Gwishin(鬼神-ghost), was showing quite difference from a
    Confucian theory of Gwishin, which had been the dominant ideology at
    that time. Yu Mong-in is indicating post-Confucian propensity different
    from a Confucian theory of Gwishin, which had tried to describe life
    (生), death(死), and existence in Gwishin with Hapsan(合散) and
    Ulgyeol(鬱結) in energy(氣). Such propensity had been embodied
    literarily into the diverse looks in Eouyadam. What a story of Gwishin
    is recorded in Eouyadam was regarded as a reason why Yu Mong-in
    had post-Confucian propensity and is accepting the relativism of
    Chuang-tzu.
    The symbolic meaning in Gwishin of Eouyadam, first, is what
    reveals the wound and the lack in a human being due to war, a lean
    year, and epidemic, and second, is what criticized a irrationally political
    situation at that time, which had been severe in party strife for
    struggling for rights, by establishing specific space. Finally in the
    aspect that two souls dwell in one body or that the dead ghosts proceed
    with living together in one space called the world of life, Yu Mong-in
    saw it as what confusion and disorder in society at that time came to
    be metaphorical.
    In Im Bang(任埅 1640∼1724)’s Cheonyerok(天倪錄), which appeared
    following Yu Mong-in’s Eouyadam is described even many of stories,
    which are entirely consistent in behaviors or reasons of having come
    to appear, as well as stories, which have the almost same motive as
    Eouyadam . By the way, Cheonyerok was expanded the same story
    of Gwishin into the more complex structure, thereby having
    characteristic that is definitely distinguished from Eouyadam. Given
    comparing Gwishin in Cheonyerok and Gwishin in Eouyadam, both
    works seem to be likely to come to be clear in its characteristics. This
    is left as future task.

    영어초록

    This study examined about characteristics and symbolical
    significance in Gwishin(鬼神), which is material of Eouyadam(於于野
    談).
    The attitude in Yu Mong-in(柳夢寅), who recorded a story of having
    material as Gwishin(鬼神-ghost), was showing quite difference from a
    Confucian theory of Gwishin, which had been the dominant ideology at
    that time. Yu Mong-in is indicating post-Confucian propensity different
    from a Confucian theory of Gwishin, which had tried to describe life
    (生), death(死), and existence in Gwishin with Hapsan(合散) and
    Ulgyeol(鬱結) in energy(氣). Such propensity had been embodied
    literarily into the diverse looks in Eouyadam. What a story of Gwishin
    is recorded in Eouyadam was regarded as a reason why Yu Mong-in
    had post-Confucian propensity and is accepting the relativism of
    Chuang-tzu.
    The symbolic meaning in Gwishin of Eouyadam, first, is what
    reveals the wound and the lack in a human being due to war, a lean
    year, and epidemic, and second, is what criticized a irrationally political
    situation at that time, which had been severe in party strife for
    struggling for rights, by establishing specific space. Finally in the
    aspect that two souls dwell in one body or that the dead ghosts proceed
    with living together in one space called the world of life, Yu Mong-in
    saw it as what confusion and disorder in society at that time came to
    be metaphorical.
    In Im Bang(任埅 1640∼1724)’s Cheonyerok(天倪錄), which appeared
    following Yu Mong-in’s Eouyadam is described even many of stories,
    which are entirely consistent in behaviors or reasons of having come
    to appear, as well as stories, which have the almost same motive as
    Eouyadam . By the way, Cheonyerok was expanded the same story
    of Gwishin into the more complex structure, thereby having
    characteristic that is definitely distinguished from Eouyadam. Given
    comparing Gwishin in Cheonyerok and Gwishin in Eouyadam, both
    works seem to be likely to come to be clear in its characteristics. This
    is left as future task.

    참고자료

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