엘리자베스 바렛 브라우닝과 고정희 비교 연구: 사회비평으로서 페미니스트 시쓰기 (A Comparison of Elizabeth Barrett Browning and Goh June Hee: The Act of Writing the Feminist Poems as a Social Criticism)

서지정보

· 발행기관 : 21세기영어영문학회
· 수록지 정보 : 영어영문학21 / 19권 / 2호 / 123 ~ 154페이지
· 저자명 : 이소희

초록

A Comparison of Elizabeth Barrett Browning and Goh Jung Hee 현재 고정희에 대한 영문 표기는 매우 다양한 방식으로 표기되고 있다. 이 논문에서 사용하고 있는 영문 표기 “Goh Jung Hee”는 고정희 시인이 1988년 7월 영국 캠브리지에서 필자와 만났을 때 자신의 시들을 영문으로 번역하여 필자에게 건네준 편집본에 고정희 자신이 표기한 그대로를 사용한 것이다.: The Act of Writing the Feminist Poems as a Social Criticism
Lee, So-Hee (Hanyang Women's College)
This paper compares Elizabeth Barrett Browning in 1850s England and Goh Jung Hee in 1980s Korea, focusing on their writing subjectivities as a woman poet in each different social context. Both consider their act of writing the feminist poems as a social criticism, transforming the patriarchal social system into more humanized social structure. Barrett Browning, by writing Aurora Leigh(1857), created three kinds of female subjectivity: the most self-assertive woman-poet, Aurora's first-person narrative; the raped working-class girl, Marian's breaking verbalization of the forbidden subject; and the disinherited Victorian woman-poet, Barrett Browning's access to the phallocentric genre. Goh Jung Hee, by writing three poems, "An Appeal Made by "Patriotic Women's League" for Donation of Rings"(1987), "Rice and Capitalism: A Woman's Tune Who Gains a Bowl of Rice by Selling Her Body"(1992), and "Let Us Burst Open the Dams"(1987), created Korean women's collective subjectivities by water images based on historical consciousness, reflecting the past and present Korean women's everyday lives. Elizabeth Barrett Browning and Goh Jung Hee accomplished their social responsibilities as a woman poet in each different socio-historical context, illustrating women's access to full subjectivity with female imagination and incisive critique through writing the feminist poems as a social criticism.

영어초록

A Comparison of Elizabeth Barrett Browning and Goh Jung Hee 현재 고정희에 대한 영문 표기는 매우 다양한 방식으로 표기되고 있다. 이 논문에서 사용하고 있는 영문 표기 “Goh Jung Hee”는 고정희 시인이 1988년 7월 영국 캠브리지에서 필자와 만났을 때 자신의 시들을 영문으로 번역하여 필자에게 건네준 편집본에 고정희 자신이 표기한 그대로를 사용한 것이다.: The Act of Writing the Feminist Poems as a Social Criticism
Lee, So-Hee (Hanyang Women's College)
This paper compares Elizabeth Barrett Browning in 1850s England and Goh Jung Hee in 1980s Korea, focusing on their writing subjectivities as a woman poet in each different social context. Both consider their act of writing the feminist poems as a social criticism, transforming the patriarchal social system into more humanized social structure. Barrett Browning, by writing Aurora Leigh(1857), created three kinds of female subjectivity: the most self-assertive woman-poet, Aurora's first-person narrative; the raped working-class girl, Marian's breaking verbalization of the forbidden subject; and the disinherited Victorian woman-poet, Barrett Browning's access to the phallocentric genre. Goh Jung Hee, by writing three poems, "An Appeal Made by "Patriotic Women's League" for Donation of Rings"(1987), "Rice and Capitalism: A Woman's Tune Who Gains a Bowl of Rice by Selling Her Body"(1992), and "Let Us Burst Open the Dams"(1987), created Korean women's collective subjectivities by water images based on historical consciousness, reflecting the past and present Korean women's everyday lives. Elizabeth Barrett Browning and Goh Jung Hee accomplished their social responsibilities as a woman poet in each different socio-historical context, illustrating women's access to full subjectivity with female imagination and incisive critique through writing the feminist poems as a social criticism.

참고자료

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