조선시대 長城 기녀 秋香 관련 한시 연구 (A Study on Chinese Poetry By Chuhyang, a Kiseng of Jangseong in Joseon Dynasty)

서지정보

· 발행기관 : 한국고전문학회
· 수록지 정보 : 고전문학연구 / 66호 / 319 ~ 350페이지
· 저자명 : 박명희

초록

본 논문은 조선시대 전남 장성 기녀 추향 관련 한시에 초점을 맞추어 작품의 전개 양상을 통해 그의 정체를 찾고, 그 의의를 정리하는 것을 목표로 정하였다.
지금까지 전하고 있는 추향 관련 한시 작품은 총 20인이 27제 35수를 지었다는 것을 확인하였고, 이들 작품은 추향이 살아있을 때 지은 작품과 死後에 지은 작품으로 구분할 수 있었다. 살아있을 때 지은 작품은 다시 美妓 추향과 관련한 한시, 藝妓 추향과 관련한 한시로 구분해 논의하였다.
미기 추향 관련한 시는 추향의 외모를 아름다운 여인으로 형상화한 작품을 말한다. 예기 추향 관련 한시는 詩妓와 歌妓ㆍ琴妓 등 크게 두 부분으로 구분해 논의하였다. 이어 추향이 세상을 뜬 뒤에 6인이 총 9수를 남겼다는 것을 확인하고 구체적으로 논의하였다.
본 논문은 궁극적으로 전통 시대 미개발 문인에 대한 관심을 증대시킬 것으로 전망하였고, 관련 자료를 통한 스토리텔링화를 통해 대중들에게 기녀 추향을 알리는 역할을 할 것으로 전망하였다.

영어초록

This study aimed to investigate the identity of a Kiseng poet named Chuhyang of Jangseong in Joseon Dynasty focusing on the development aspect of her Chinese poetry, and the meaning and value of use.
It was discovered that there were 35 poems with 27 themes by a total of 20 literary persons relating to Chuhyang. The 35 poems with 27 themes were categorized into those written when the poet was alive and those when she was dead. The poems written when she was alive were categorized into those she wrote as Migi and those she wrote as Yegi.
Migi poetry indicates those where the poet was configured as a beautiful woman. Yegi poetry was roughly categorized into Sigi, Gagi and Geungi. Sigi put an emphasis on Chuhyang’s creative ability while Gagi and Geumgi put an emphasis on talent she sang and played Geomungo. It was assumed that Chuhyang was accomplished in creation of poetry as much as thee was a ‘Chuhyang Sijip’. One day, when she wrote a verse, a few literary persons followed her, which showed how accomplished she was in writing.
As Chuhyang was outstanding in playing Geomungo and singing songs. She played the Geomungo to the 〈Samiingok〉 by Jeongchol in Yongsan, Hanyang in 1599, four literary persons wrote four verses. It was concluded that she was a representative Kiseng who sang 〈Samiingok〉 well at that time. This study speculated in a total of 9 Chinese verses relating to her 6 literary persons wrote after she died.
The largest meaning of the verses relating to her is that they showed who Chuhyang was. Chuhyang was not actively introduced in academic circles as a Kiseing of Jangseong which was distant from Hnayang.

참고자료

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