시의 무용 수용 -김영태 시에 나타난 동작의 수용과 장면의 수용을 중심으로 (The Reception of Darces in Poems - with focus 00 the reception of rmtions and scenes in Kim Young-tee)

서지정보

· 발행기관 : 영주어문학회
· 수록지 정보 : 영주어문 / 16권 / 165 ~ 190페이지
· 저자명 : 김병택

초록

The discussion in this paper is based on mimetic theory and
representational theory. Mimetic theory accounts for two points' one is
that both poems and dances mimic objects, and the other is that the
two genres use rredia to imitate objects. Representational theory helps
to explain three specific things: one is that both poems and dances
represent errotion, the second is that the two genres have nothing to do
with the outer world, and the other is the fact that the receiver is
oneself.
The reception of rmtions is divided into the reception of
representational rmtions and mimetic motions, which can be further
subdivided into descriptive and explanatory mimetic rmtions. 'The
reception of motions' is the general term Mimetic rmtions in Twelve
Songs are both descriptive and figurative. Other Dance shows symbolic
mimetic motions, which spontaneously flow because of two aspects. One
is the fact that a symbol of mimetic rmtions is fairly abstract but not
abstruse as seen in "rmtions rreet and build a house." The other is that
mimetic rmtions in themselves are based on a suggestion which is one
of symbolic attributes. The reception of representational rmtions is
divided into the reception of narrative and aesthetic representational
rmtions. Representational rmtions in Albinoni Adagio take their form
from narrative ending suffixes such as ' ~)3tq' and ' iitsaq'. This is a
~--- .._-- ---- --
100 / ~~Oj~ AiI16~(2003. 8)
foundation for narrative representational motions. These representational
motions corre from a dancer. Aesthetic aspects daminate in Waltz of
the Snowflakes, Nutcracker Act One. It is partly because of the fact
that this is ballet music based on a classical fairy tale, The Nutcracker
and the Mouse King.
The reception of scenes is divided into the reception of mimetic
scenes and representational scenes, and mimetic scenes are subdivided
into playful and folk mimetic scenes. 'The reception of mimetic scenes'
is also the general term just as 'the reception of mimetic motions' is.
Women Playing around a Fountain, choreographed by Nam Jeong-ho,
deals with women's agonies and anxieties as well as their normal lives.
Iindo Drum Dance sonorously produces a dancing motion which
represents inside emotions, and sorretirres generates a spontaneous and
simple dancing motion which adds vitality by romping round and hitting
the drum hard.
The reception of representational scenes is divided into the reception
of collective and hallucinatory representational scenes. It is harmony
that appears most frequently among motion types in Requiem by Igal
Perry. Motions that comprise scenes embody the therre of 'repose of
souls' in harmony with one another. One of Salpuri's Eight Scenes
suggests a certain situation regarding the body. This situation reveals
human beings who are becoming uniform and losing ego and coming
to a halt, however, the dance sustains the ever-lasting vitality of
humans.

영어초록

The discussion in this paper is based on mimetic theory and
representational theory. Mimetic theory accounts for two points' one is
that both poems and dances mimic objects, and the other is that the
two genres use rredia to imitate objects. Representational theory helps
to explain three specific things: one is that both poems and dances
represent errotion, the second is that the two genres have nothing to do
with the outer world, and the other is the fact that the receiver is
oneself.
The reception of rmtions is divided into the reception of
representational rmtions and mimetic motions, which can be further
subdivided into descriptive and explanatory mimetic rmtions. 'The
reception of motions' is the general term Mimetic rmtions in Twelve
Songs are both descriptive and figurative. Other Dance shows symbolic
mimetic motions, which spontaneously flow because of two aspects. One
is the fact that a symbol of mimetic rmtions is fairly abstract but not
abstruse as seen in "rmtions rreet and build a house." The other is that
mimetic rmtions in themselves are based on a suggestion which is one
of symbolic attributes. The reception of representational rmtions is
divided into the reception of narrative and aesthetic representational
rmtions. Representational rmtions in Albinoni Adagio take their form
from narrative ending suffixes such as ' ~)3tq' and ' iitsaq'. This is a
~--- .._-- ---- --
100 / ~~Oj~ AiI16~(2003. 8)
foundation for narrative representational motions. These representational
motions corre from a dancer. Aesthetic aspects daminate in Waltz of
the Snowflakes, Nutcracker Act One. It is partly because of the fact
that this is ballet music based on a classical fairy tale, The Nutcracker
and the Mouse King.
The reception of scenes is divided into the reception of mimetic
scenes and representational scenes, and mimetic scenes are subdivided
into playful and folk mimetic scenes. 'The reception of mimetic scenes'
is also the general term just as 'the reception of mimetic motions' is.
Women Playing around a Fountain, choreographed by Nam Jeong-ho,
deals with women's agonies and anxieties as well as their normal lives.
Iindo Drum Dance sonorously produces a dancing motion which
represents inside emotions, and sorretirres generates a spontaneous and
simple dancing motion which adds vitality by romping round and hitting
the drum hard.
The reception of representational scenes is divided into the reception
of collective and hallucinatory representational scenes. It is harmony
that appears most frequently among motion types in Requiem by Igal
Perry. Motions that comprise scenes embody the therre of 'repose of
souls' in harmony with one another. One of Salpuri's Eight Scenes
suggests a certain situation regarding the body. This situation reveals
human beings who are becoming uniform and losing ego and coming
to a halt, however, the dance sustains the ever-lasting vitality of
humans.

참고자료

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