스트라빈스키 12음기법 수용 연구 :《레퀴엠 칸티클스》(Requiem Canticles)를 중심으로 (Study on accommodation of twelve-tone row technique by Stravinsky : Focusing on《Requiem Canticles》)

서지정보

· 발행기관 : 서울대학교 음악대학
· 수록지 정보 : 음악이론연구 / 13권 / 31 ~ 68페이지
· 저자명 : 차호성

초록

《Canticum sacrum》(1955) was the first vocal work that Stravinsky presented as work of twelve-tone technique in earnest. It is known that most of his composition until his death in 1971 was by twelve-tone technique. 《Requiem Canticles》which he composed just before he passed away was not only composed with series technique but also a piece which we can identify his unique diction usually shown in his tone color or rhythm. It is appreciated as the masterpiece of his last few years.
He made 2 series among 9 small pieces which constituted 《Requiem Canticles》and composed each piece with different application. We were able to identify that he did not follow the method of composing in essential twelve-tone technique since Schoenberg when using the given series for each piece.
When Stravinsky was composing 《Requiem Canticles》, we can assume that he was not simply composing another piece with twelve-tone techniques which dominated the 20th century music since Schoenberg but was trying another approach to express another unique diction in rhythm, tone color and melody that he accumulated all his life.
Stravinsky composed twelve-tone technique according to Schoenberg but his method was different from conventional series technique by configuring organized interval system on top of it. Such method of composing can be understood as one aspect of various new accommodation which emerged after 1950's in the development process of series music. Such trend can be understood as showing similar tendency with revised series technique which appeared after 1950's.

영어초록

《Canticum sacrum》(1955) was the first vocal work that Stravinsky presented as work of twelve-tone technique in earnest. It is known that most of his composition until his death in 1971 was by twelve-tone technique. 《Requiem Canticles》which he composed just before he passed away was not only composed with series technique but also a piece which we can identify his unique diction usually shown in his tone color or rhythm. It is appreciated as the masterpiece of his last few years.
He made 2 series among 9 small pieces which constituted 《Requiem Canticles》and composed each piece with different application. We were able to identify that he did not follow the method of composing in essential twelve-tone technique since Schoenberg when using the given series for each piece.
When Stravinsky was composing 《Requiem Canticles》, we can assume that he was not simply composing another piece with twelve-tone techniques which dominated the 20th century music since Schoenberg but was trying another approach to express another unique diction in rhythm, tone color and melody that he accumulated all his life.
Stravinsky composed twelve-tone technique according to Schoenberg but his method was different from conventional series technique by configuring organized interval system on top of it. Such method of composing can be understood as one aspect of various new accommodation which emerged after 1950's in the development process of series music. Such trend can be understood as showing similar tendency with revised series technique which appeared after 1950's.

참고자료

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