긴스이우키요조시(金水浮世草子) -『하나가타미(花筐)』를 중심으로- (The Kinsui ukiyozoshi -focusing on Hanagatami-)

서지정보

· 발행기관 : 한국일본문화학회
· 수록지 정보 : 日本文化學報 / 85호 / 161 ~ 172페이지
· 저자명 : 최태화

초록

There was a rivalry between Syotei Kinsui and Tamenaga Syunsui, rather than a hierarchical relationship. Hanagatami features many female protagonists, which is common in Syunsui’s ninjobon; therefore, it resembles his novels, in which one man has relationships with many women. However, Hanagatami emphasizes the contrast between good otsuru and bad okame. Hanagatami　was a variation on compositions featuring good will and discipline, which were characteristic of Kinsui’s ninjobon. Therefore, although many women appear as characters, they share similar features. Even if the happy ending otsuru is not described without telling the whereabouts of the other heroines, the feeling of strangeness will not be felt.　Kinsui differs from Syunsui, in terms of the ethical and moral compliance of his novels. For Kinsui, the use of the word “ninjobon,” coined by Syunsui and synonymous with chubon-sized novels for women, was a phenomenon to be overcome.　Kinsui's assertion that he call his chubon-sized novels for women “Kinsui ukiyozoshi” was not only based on his promotion of Kinsui-style chubon-sized novels that emphasize good and evil; it was also a rejection of Syunsui’s ninjobon. Hanagatami is a good example of “Kinsui ukiyozoshi.”

영어초록

There was a rivalry between Syotei Kinsui and Tamenaga Syunsui, rather than a hierarchical relationship. Hanagatami features many female protagonists, which is common in Syunsui’s ninjobon; therefore, it resembles his novels, in which one man has relationships with many women. However, Hanagatami emphasizes the contrast between good otsuru and bad okame. Hanagatami　was a variation on compositions featuring good will and discipline, which were characteristic of Kinsui’s ninjobon. Therefore, although many women appear as characters, they share similar features. Even if the happy ending otsuru is not described without telling the whereabouts of the other heroines, the feeling of strangeness will not be felt.　Kinsui differs from Syunsui, in terms of the ethical and moral compliance of his novels. For Kinsui, the use of the word “ninjobon,” coined by Syunsui and synonymous with chubon-sized novels for women, was a phenomenon to be overcome.　Kinsui's assertion that he call his chubon-sized novels for women “Kinsui ukiyozoshi” was not only based on his promotion of Kinsui-style chubon-sized novels that emphasize good and evil; it was also a rejection of Syunsui’s ninjobon. Hanagatami is a good example of “Kinsui ukiyozoshi.”

참고자료

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