忠臣戀主之詞의 理解와 史的 展開 (The Understanding of a Loyalist's Love-Song for his King and its Historical Development)

서지정보

· 발행기관 : 한국시가문화학회
· 수록지 정보 : 한국시가문화연구 / 33호 / 185 ~ 215페이지
· 저자명 : 박인희

초록

고전시가 중에는 충신연주지사라 불리는 작품들이 있다. 하지만 지금까지 충신연주지사의 개념에 대한 본격적인 논의는 거의 없었다. 그래서 본고는 『조선왕조실록』에 충신연주지사라 언급된 <정과정곡>을 중심으로 충신연주지사에 대해 살펴보았다.
살펴본 결과 충신연주지사라 불리려면 세 가지 조건을 충족해야만 함을 알 수 있었다. 첫째 충신연주지사의 작가는 충신으로 불릴 수 있어야 한다. 둘째 다른 인물이나 세력으로 인해 자신의 의지와 상관없이 왕으로부터 멀어진 상황 속에서 작품이 지어져야 한다. 셋째 왕에 대한 걱정과 그리움이 전제된 내용이어야 한다.
아울러 둘째 조건으로 인해 충신연주지사를 유배 중에 지어진 작품으로만 볼 필요가 없음을 확인할 수 있었으며, 셋째 조건으로 인해 충신연주지사에서 왕을 원망하는 내용은 문학적 관습으로 볼 수 있다는 것을 확인할 수 있었다. 충신연주지사를 이렇게 이해할 때, 신라 때 지어진 <물계자가>, <실혜가>, <원가>와 조선시대 윤선도의 <견회요>도 충신연주지사로 볼 수 있음을 보았다.
본고를 통해 충신연주지사의 개념과 충신연주지사로서 고전시가가 어떤 성격을 갖는 작품인지 좀 더 구체화되었으리라 본다. 또한 이 논의를 통해 충신연주지사라는 표현을 몇몇 작품, 특정 장르에만 사용할 필요가 없음도 드러났다고 본다.

영어초록

In classical poetry, there are some works called as a loyalist's love-song for his king[忠臣戀主之詞]. However, there has been little discussion of the concept of a loyalist's love-song for his king until now. A loyalist's love-song for his king literally has referred to some work with loyalist's longing for his king. Or, because a work called as a loyalist's love-song for his king was written in one's exile, it has referred to some work that one wrote as he missed his king in his exile. Therefore, the purpose of this paper is to consider the concept of a loyalist's love-song for his king, focused on Jeonggwajeonggok[鄭瓜亭曲] which has been stated as a loyalist's love-song for his king in the Annals of the Joseon Dynasty.
The result indicates that a work called as a loyalist's love-song for his king must satisfy the following conditions. First, its writer should be appreciated as a loyalist. Second, the song should be written in the situation that the writer grows away from his king regardless of his will due to some influence blocking between his king and him, namely the king's subject. Third, in that situation, the writer should express his own feelings honestly with his longing for his king. A work called as a loyalist's love-song for his king should measure up to these conditions.
And the second and the third conditions increase the possibility that a work is regarded as a loyalist's love-song for his king. Due to the second condition, it is not necessary that a loyalist's love-song for his king is defined as some work written in one's exile. It is enough that the song was written in some situation that the writer grew away from his king regardless of his will. The third condition allows a loyalist's love-song for his king to involve some expression of resentment over his king. The resentment reveals itself when the writer expresses his feelings in the situation that he is far away from his king. The expression of resentment over a king is comprehensible as a literary convention of those days.
In this way, it is possible that Mulgyejaga[勿稽子歌], Silhyega[實兮歌] and Wonga[怨歌] written in the period of Silla are regarded as loyalists' love-songs for their kings. Unfortunately, the lyrics of Mulgyejaga and Silhyega have been lost to history. However, the situation that they were written in considered, they deserve to be called as a loyalist's love-song for his king. Wonga should be called as a loyalist's love-song for his king because it measures up to the three conditions.
This paper examined what a loyalist's love-song for his king is, through the documents regarding Jeonggwajeonggok. In this process, it seems that the meaning of a loyalist's love-song for his king has taken concrete shape a little more. And, in this discussion, it seems that it ie revealed that the expression of a loyalist's love-song for his king is not just for a few works or a specific genre.

참고자료

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