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사라마구의 작품을 통해 본 포르투갈 인의 정체성 연구 (The Identity of Portuguese in José Saramago's Literature)

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최초등록일 2025.05.13 최종저작일 2009.12
16P 미리보기
사라마구의 작품을 통해 본 포르투갈 인의 정체성 연구
  • 미리보기

    서지정보

    · 발행기관 : 세계문학비교학회
    · 수록지 정보 : 세계문학비교연구 / 29호 / 399 ~ 414페이지
    · 저자명 : 송필환

    초록

    Saramago was born into a family of landless peasants in Azinhaga, Portugal, a small village in the province of Ribatejo some hundred kilometers north-east of Lisbon. In 1924, Saramago's family moved to Lisbon, where his father started working as a policeman. Although Saramago was a good pupil, his parents were unable to afford to keep him in grammar school, and instead moved him to a technical school at age 12. After graduating, he worked as a car mechanic for two years. Later he worked as a translator, then as a journalist. He was assistant editor of the newspaper Diário de Notícias, a position he had to leave after the political events in 1975. After a period of working as a translator he was able to support himself as a writer. Saramago married Ilda Reis in 1944. Their only child, Violante, was born in 1947. Since 1988, Saramago has been married to the Spanish journalist Pilar del Río, who is the official translator of his books into Spanish.
    José Saramago was in his mid-fifties before he won international acclaim; his publication of Baltasar and Blimunda brought him to the attention of an international readership. This novel won the Portuguese PEN Club Award. Saramago has been a member of the Portuguese Communist Party since 1969, as well as an atheist and self-described pessimist. His views have aroused considerable controversy in Portugal, especially after the publication of The Gospel According to Jesus Christ. Members of the country's Catholic community were outraged by Saramago's representation of Jesus as a fallible human being. Portugal's conservative government would not allow Saramago's work to compete for the European Literary Prize, arguing that it offended the Catholic community. As a result, Saramago and his wife moved to Lanzarote, an island in the Canaries.
    Saramago’s novels often deal with fantastic scenarios, such as that in his 1986 novel, The Stone Raft, wherein the Iberian Peninsula breaks off from the rest of Europe and sails about the Atlantic Ocean. In his 1995 novel, Blindness, an entire unnamed country is stricken with a mysterious plague of “white blindness”. In his 1984 novel, The Year of the Death of Ricardo Reis (which won the PEN Award and the Independent Foreign Fiction Award), Fernando Pessoa’s heteronym survives for a year after the poet himself dies. Additionally, his novel Death with Interruptions (also translated as Death at Intervals) centers around a country in which nobody dies over the course of seven months beginning on New Year's Day, and how the country reacts to the spiritual and political implications of the event.
    Using such imaginative themes, Saramago addresses the most serious of subject matters with empathy for the human condition and for the isolation of contemporary urban life. His characters struggle with their need to connect with one another, form relations and bond as a community; and also with their need for individuality, and to find meaning and dignity outside of political and economic structures. Literary critic Harold Bloom considers Saramago the second greatest living novelist in the world, behind only Philip Roth, but criticized his comparison of conditions in the Palestinian territories to the Auschwitz concentration camp and referred to Saramago as a "Portuguese Stalinist".
    Saramago's experimental style often features long sentences, at times more than a page long. He uses periods sparingly, choosing instead a loose flow of clauses joined by commas. Many of his paragraphs extend for pages without pausing for dialog, which Saramago chooses not to delimit by quotation marks; when the speaker changes, Saramago capitalizes the first letter of the new speaker's clause. In his novel Blindness, Saramago completely abandons the use of proper nouns instead choosing to refer to characters simply by some unique characteristic, an example of his use of style to enhance the recurring themes of identity and meaning found throughout his work.

    영어초록

    Saramago was born into a family of landless peasants in Azinhaga, Portugal, a small village in the province of Ribatejo some hundred kilometers north-east of Lisbon. In 1924, Saramago's family moved to Lisbon, where his father started working as a policeman. Although Saramago was a good pupil, his parents were unable to afford to keep him in grammar school, and instead moved him to a technical school at age 12. After graduating, he worked as a car mechanic for two years. Later he worked as a translator, then as a journalist. He was assistant editor of the newspaper Diário de Notícias, a position he had to leave after the political events in 1975. After a period of working as a translator he was able to support himself as a writer. Saramago married Ilda Reis in 1944. Their only child, Violante, was born in 1947. Since 1988, Saramago has been married to the Spanish journalist Pilar del Río, who is the official translator of his books into Spanish.
    José Saramago was in his mid-fifties before he won international acclaim; his publication of Baltasar and Blimunda brought him to the attention of an international readership. This novel won the Portuguese PEN Club Award. Saramago has been a member of the Portuguese Communist Party since 1969, as well as an atheist and self-described pessimist. His views have aroused considerable controversy in Portugal, especially after the publication of The Gospel According to Jesus Christ. Members of the country's Catholic community were outraged by Saramago's representation of Jesus as a fallible human being. Portugal's conservative government would not allow Saramago's work to compete for the European Literary Prize, arguing that it offended the Catholic community. As a result, Saramago and his wife moved to Lanzarote, an island in the Canaries.
    Saramago’s novels often deal with fantastic scenarios, such as that in his 1986 novel, The Stone Raft, wherein the Iberian Peninsula breaks off from the rest of Europe and sails about the Atlantic Ocean. In his 1995 novel, Blindness, an entire unnamed country is stricken with a mysterious plague of “white blindness”. In his 1984 novel, The Year of the Death of Ricardo Reis (which won the PEN Award and the Independent Foreign Fiction Award), Fernando Pessoa’s heteronym survives for a year after the poet himself dies. Additionally, his novel Death with Interruptions (also translated as Death at Intervals) centers around a country in which nobody dies over the course of seven months beginning on New Year's Day, and how the country reacts to the spiritual and political implications of the event.
    Using such imaginative themes, Saramago addresses the most serious of subject matters with empathy for the human condition and for the isolation of contemporary urban life. His characters struggle with their need to connect with one another, form relations and bond as a community; and also with their need for individuality, and to find meaning and dignity outside of political and economic structures. Literary critic Harold Bloom considers Saramago the second greatest living novelist in the world, behind only Philip Roth, but criticized his comparison of conditions in the Palestinian territories to the Auschwitz concentration camp and referred to Saramago as a "Portuguese Stalinist".
    Saramago's experimental style often features long sentences, at times more than a page long. He uses periods sparingly, choosing instead a loose flow of clauses joined by commas. Many of his paragraphs extend for pages without pausing for dialog, which Saramago chooses not to delimit by quotation marks; when the speaker changes, Saramago capitalizes the first letter of the new speaker's clause. In his novel Blindness, Saramago completely abandons the use of proper nouns instead choosing to refer to characters simply by some unique characteristic, an example of his use of style to enhance the recurring themes of identity and meaning found throughout his work.

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