중앙아시아 벽화의 保存處理法에 관한 一提案 ― 베제클릭 壁畵의 現狀模寫를 中心으로 ― (One proposal about Conservation Treatment of a Central Asia wall painting: Focus on phenomenon Copy of a Bezeklick wall painting)

서지정보

· 발행기관 : 중앙아시아학회
· 수록지 정보 : 중앙아시아연구 / 13권 / 77 ~ 98페이지
· 저자명 : 김범수

초록

In this study, I tried to copied 3 copies of the wall-paintings which preserved in Bezeklik stone cave in Turfan area in Central-Asia. The Central-Asian area is the cultural producing, very wide area (it locates in inland) which was made in the midst of East and West current. Its environmental condition has Pamir highlands and Hindu Kush mountain range by dividing ridge. Kunlun mountain and Tian Shan mountain surround this area like folding screen, so it is not certain that the great civilization could occur with its given condition, but the wall-paintings in cave temples have very significant meaning in cultural history aspect. With this chain of reasoning, in the early 20th century, the Western World Powers tried to get ahead of others in taking the stone cave paintings apart.
Many times I visited the actual locale on the foundation of a series of cultural history background and grasped the cultural postulate fully and started to ready for the present situation copying. As a result, I think that (I visited each nation and the charger of the museum in each country introduced me directly its own method, so I came to know that each country has its own differences slightly) so it would be the most important point to find the best method how to arrange all-around each nation's preservation and management method on their own cultural paintings.
We can't seize the artists' meaning without knowing of the cultural and natural features which were produced the first wall-paintings at that time. Also, it is very difficult to convey the exact meaning of the wall-paintings without knowing that regional and religious specificity. Accordingly, it is required that lots of time and cost needed to copy the wall-paintings with the professional and humanities knowledge. In addition, I copied 3 Bezeklik wall-paintings (they are all in the Korean National Museum now); <Worshipping Bodhisattva(the statue of provider Bodhisattva with food)-remains arrange no.4049), Male Worshippers(the statue of the provider with food)-remains arrange no.4083), demon-remains arrange no.4056>
I showed the daily routine, the summary of the works, analyze of the original paintings, copy production, and production procedure. I presented the material and mounting. These works are all swindled wall-paintings by Japanese expeditionary party, so now many people agonize about the preservation problem.
The result of my thesis is that these painting works are very difficult to preserve because of their specificities, hence we must keep them after knowing fully about the preservation method. Otherwise, as the temperature, humidity and microorganism could be deteriorated, so we must be very careful to keep these copy paintings well. I presented the New Presentation Dealing Method by the present situation copying, my aim is that the original works must be kept in Storage with perfect scientific dealing system. We exhibit only the copy works, so we can minimize the damage of original works.

영어초록

In this study, I tried to copied 3 copies of the wall-paintings which preserved in Bezeklik stone cave in Turfan area in Central-Asia. The Central-Asian area is the cultural producing, very wide area (it locates in inland) which was made in the midst of East and West current. Its environmental condition has Pamir highlands and Hindu Kush mountain range by dividing ridge. Kunlun mountain and Tian Shan mountain surround this area like folding screen, so it is not certain that the great civilization could occur with its given condition, but the wall-paintings in cave temples have very significant meaning in cultural history aspect. With this chain of reasoning, in the early 20th century, the Western World Powers tried to get ahead of others in taking the stone cave paintings apart.
Many times I visited the actual locale on the foundation of a series of cultural history background and grasped the cultural postulate fully and started to ready for the present situation copying. As a result, I think that (I visited each nation and the charger of the museum in each country introduced me directly its own method, so I came to know that each country has its own differences slightly) so it would be the most important point to find the best method how to arrange all-around each nation's preservation and management method on their own cultural paintings.
We can't seize the artists' meaning without knowing of the cultural and natural features which were produced the first wall-paintings at that time. Also, it is very difficult to convey the exact meaning of the wall-paintings without knowing that regional and religious specificity. Accordingly, it is required that lots of time and cost needed to copy the wall-paintings with the professional and humanities knowledge. In addition, I copied 3 Bezeklik wall-paintings (they are all in the Korean National Museum now); <Worshipping Bodhisattva(the statue of provider Bodhisattva with food)-remains arrange no.4049), Male Worshippers(the statue of the provider with food)-remains arrange no.4083), demon-remains arrange no.4056>
I showed the daily routine, the summary of the works, analyze of the original paintings, copy production, and production procedure. I presented the material and mounting. These works are all swindled wall-paintings by Japanese expeditionary party, so now many people agonize about the preservation problem.
The result of my thesis is that these painting works are very difficult to preserve because of their specificities, hence we must keep them after knowing fully about the preservation method. Otherwise, as the temperature, humidity and microorganism could be deteriorated, so we must be very careful to keep these copy paintings well. I presented the New Presentation Dealing Method by the present situation copying, my aim is that the original works must be kept in Storage with perfect scientific dealing system. We exhibit only the copy works, so we can minimize the damage of original works.

참고자료

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