1960년대 강신재 소설에 나타난 근대화의 ‘망탈리테’ 연구 - 『여상』담론과 <이 찬란한 슬픔을>에 나타난 여성 교양의 의미와 양상을 중심으로 -

서지정보

· 발행기관 : 한국문학언어학회
· 수록지 정보 : 어문론총 / 58호 / 373 ~ 392페이지
· 저자명 : 최경희

초록

The early 1960's was a period when modernization projects start, and a home belonged to the society and nation. A home was an area exposed to modernization and where, simultaneously, traditional roles are preserved. 『Family Life』 was one of typical female magazines which promoted women's obligation as social norms in a private area. While discourse of a love marriage made public the emotion revealed in such a private area as love, marriage, etc. and stressed the importance of emotion in a daily life, it is, to a considerable extent, inclined to emotional education that too emphasizes norms and rules. This means that love and marriage are pure individual life selected by free emotion and will of a man and a woman, but are deeply influenced by social rules and environment. Park Gyeongni's <Lion of Darkness> publicized in the same magazine is a popular work which dramatically wrote the collision between self-rule and socially acceptable idea as a tragic love narration. Such a tragic conclusion is to criticize the suppressed social rules that do not allow even the free love of individuals, and includes a kind of message of warning that living as a woman required by the society could be subject to the sacrifice of the identity of an individual.

참고자료

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