쇼헤이자카학문소(昌平坂学問所)의 문헌을 통해 본 임제 백호론 -『부벽루상영록』을 중심으로- (The theory of white tigers through the literature of the ShoheizakaGakumonjo Institute of Science and Technology-Focusing on the Bubyukru Sangrok-)

서지정보

· 발행기관 : 대한일어일문학회
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· 저자명 : 여순종

초록

In this paper, the bibliographical differences between the "back house'' owned by the National Assembly Library and the National Museum of Korea, and the "Imbaek house collection'' from the Shoheizaka academic center in Japan are described in detail. The detailed bibliographic situation can be confirmed because the manuscript is transmitted in perfect condition in Japan. In addition to the status check, 『Buibyulsa Youngrok Pyeongseok』 includes Baekho Imje, Hoseo Kim Unger, Nampa Nokyungdal, Songo It can be seen that this is a collection of poems created by five poets, including Eung-cheong Lee and Kyung-ho Kim Yi-ok.
Shoheizaka Academic Centerwas was founded in 1790 (Year 2 of the Kansei Era) in Kandayushima, and served as an educational facility under the direct control of the Edo Shogunate. Its official name was "Academic Center(学問所)". It heralded the modern society, the Meiji Restoration, and became the predecessor of the University of Tokyo. It is equivalent to a nurturing university. Here, Im Je Baek's 『Im Baek Ho Collection』 was used as a textbook.
This paper exclusively focuses on bibliographical study of the Korean version of the "Backhoe Collection" and the Japanese Edo Period Shoheizaka Research Center (本) "Imbaekho Collection". A Theory analysis as well as the study on the images of the poetic languages and the world of aesthetic awareness is conducted on the contents and the literature of both works, along with the Western philosophical aesthetic approaches (in terms of beauty in subliminity, elegance, comedy and tragedy). From the simple formalism, the approach of oriental aesthetics is employed by using 『Yemun Poaching』 or Yuhyup’s 『Munsimjoryong』, which provides the most relevant answer to establishing the position of Asian literature and art and aesthetics. Based on the method, this study revisit and re-examine the world of Baekho Imje's work.

영어초록

In this paper, the bibliographical differences between the "back house'' owned by the National Assembly Library and the National Museum of Korea, and the "Imbaek house collection'' from the Shoheizaka academic center in Japan are described in detail. The detailed bibliographic situation can be confirmed because the manuscript is transmitted in perfect condition in Japan. In addition to the status check, 『Buibyulsa Youngrok Pyeongseok』 includes Baekho Imje, Hoseo Kim Unger, Nampa Nokyungdal, Songo It can be seen that this is a collection of poems created by five poets, including Eung-cheong Lee and Kyung-ho Kim Yi-ok.
Shoheizaka Academic Centerwas was founded in 1790 (Year 2 of the Kansei Era) in Kandayushima, and served as an educational facility under the direct control of the Edo Shogunate. Its official name was "Academic Center(学問所)". It heralded the modern society, the Meiji Restoration, and became the predecessor of the University of Tokyo. It is equivalent to a nurturing university. Here, Im Je Baek's 『Im Baek Ho Collection』 was used as a textbook.
This paper exclusively focuses on bibliographical study of the Korean version of the "Backhoe Collection" and the Japanese Edo Period Shoheizaka Research Center (本) "Imbaekho Collection". A Theory analysis as well as the study on the images of the poetic languages and the world of aesthetic awareness is conducted on the contents and the literature of both works, along with the Western philosophical aesthetic approaches (in terms of beauty in subliminity, elegance, comedy and tragedy). From the simple formalism, the approach of oriental aesthetics is employed by using 『Yemun Poaching』 or Yuhyup’s 『Munsimjoryong』, which provides the most relevant answer to establishing the position of Asian literature and art and aesthetics. Based on the method, this study revisit and re-examine the world of Baekho Imje's work.

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