한․일 영화 속의 미군 기지촌 문화 비교 - 베트남 전쟁 시기의 ‘록밴드’를 중심으로 - (Comparisons between the Cultural Aspects of the US Military Villages in the Korean and Japanese Films - Focussing on the “Rock Band” during the Vietnam War -)

서지정보

· 발행기관 : 일본어문학회
· 수록지 정보 : 일본어문학 / 97호 / 483 ~ 505페이지
· 저자명 : 주혜정

초록

本研究は韓日映画の比較を通じて米軍基地村で形成されたポピュラー音楽、特に「ロックバンド」の音楽が両国でどのように受け入れられ変化したのかを考察することを目的としている。このために韓日米軍基地村が形成された空間の違いと韓日基地村ロックバンドの音楽形成過程を考察したものである。研究方法としては1960年代後半から1970年代のベトナム戦争時代に米軍基地村で活動したロックバンドの形成と衰退を描いた作品をそれぞれ選んで考察したものである。韓国の崔豪監督<GoGo70’s>(2008)と日本の崔洋一監督<Aサインデイズ>(1989)を比較対象作品としたものである。このような作業を通じて韓国は米8軍の舞台を音楽家たちが登竜門と考え、米軍基地村で発生した音楽は韓国の主流音楽の源流として現在的な意味を持ち、一方、日本の沖縄基地村の音楽は沖縄人たちの音楽として消化されながら沖縄ロックというジャンルを誕生させる現在的な意味を持つということが分かったものである。

영어초록

In this study, I compare two Korean and Japanese films in order to analyse the process whereby the popular music formed in US military villages, especially the music of “rock band”, was accepted and transformed in the two countries. For this purpose, I explore the differences in the space in which the US military villages in Korea and Japan were located and the process whereby the rock band music was formed in these military villages, paying special attention to films describing the rise and fall of rock bands that acted in US military villages from the late 1960s to the 1970s during the Vietnam War. More specifically, I analyse the Korean film Go Go 70s, directed by Ho Choi in 2008 and the Japanese film A Sign Days, directed by Yoichi Sai in 1989. My analysis reveals the following points. On the one hand, in Korea, the musicians of the time considered the stage of the US Eighth Army to be the gateway to success, and the music that emerged in the US military villages may be regarded as a source of modern Korean music. On the other hand, in Japan, the music of the US military village in Okinawa was consumed as Okinawan’s music, and it spurred the emergence of Okinawan rock in contemporary Japan.

참고자료

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