<맏딸애기노래> 옷차림 형상의 아름다움에 깃든 조형성과 유혹성 - 대구경북지역 자료를 대상으로 - (A Study on Costume Shape of MADTTALAEGI-SONG)

서지정보

· 발행기관 : 우리말글학회
· 수록지 정보 : 우리말글 / 53권 / 251 ~ 285페이지
· 저자명 : 이노형

초록

MADTTALAEGI is a heroine of MADTTALAEGI-SONG. The MADTTALAEGI-SONG of folk song shows the costume shapes that have a formative and seductive beauty of MADTTALAEGI. The former is the beauty of forms decorated on clothes, face, hair, foot. The latter is the beauty of forms in the epic context. About such beauty this paper examined beauty of clothes decorated with the color⎽forms and the forms of a wearing way, a manufacturing process.
On color-forms the clothes of MADTTALAEGI are formed by the primary colors of red, blue, yellow, plum etc. These frequently form complementary contrasts. Meanwhile her clothes are formed by the forms of wearing way and manufacturing process that create the decent and beautiful clothes too. Such clothes is understood as the formative expression of her decent and beautiful mind and behavior that try to cover up the skin and sensual body. The first expressive function of such all forms is that they try to rouse the public interest in her by highlighting her shape.
The epic context involving the clothes shapes is made by a seductive structure. The clothes scene is a expressive unit that is a small paragraph, and does a central role in such seductive structure of a three⎽level paragraph. So The formative beauty of clothes shapes shows not only its own beauty but a contextual beauty. Such contextual beauty is reputed to be a seductive beauty owing to the contextual influence. These forms embodies the seductive beauty by utilizing the following forms in context. Namely it is embodied by the exciting⎽seductive colors, and the decent⎽furtive exposure of skin through a wearing way and manufacturing process.

영어초록

MADTTALAEGI is a heroine of MADTTALAEGI-SONG. The MADTTALAEGI-SONG of folk song shows the costume shapes that have a formative and seductive beauty of MADTTALAEGI. The former is the beauty of forms decorated on clothes, face, hair, foot. The latter is the beauty of forms in the epic context. About such beauty this paper examined beauty of clothes decorated with the color⎽forms and the forms of a wearing way, a manufacturing process.
On color-forms the clothes of MADTTALAEGI are formed by the primary colors of red, blue, yellow, plum etc. These frequently form complementary contrasts. Meanwhile her clothes are formed by the forms of wearing way and manufacturing process that create the decent and beautiful clothes too. Such clothes is understood as the formative expression of her decent and beautiful mind and behavior that try to cover up the skin and sensual body. The first expressive function of such all forms is that they try to rouse the public interest in her by highlighting her shape.
The epic context involving the clothes shapes is made by a seductive structure. The clothes scene is a expressive unit that is a small paragraph, and does a central role in such seductive structure of a three⎽level paragraph. So The formative beauty of clothes shapes shows not only its own beauty but a contextual beauty. Such contextual beauty is reputed to be a seductive beauty owing to the contextual influence. These forms embodies the seductive beauty by utilizing the following forms in context. Namely it is embodied by the exciting⎽seductive colors, and the decent⎽furtive exposure of skin through a wearing way and manufacturing process.

참고자료

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