춤에서 움직임의 흔적과 추상 이미지에 관한 고찰: 트리샤 브라운과 안느 테레사 드 키어스매커의 작품을 중심으로· (A study on the traces of movements and abstract images in dance: Focusing on the works of Trisha Brown and Anne Teresa de Keersmaeker)

서지정보

· 발행기관 : 대한무용학회
· 수록지 정보 : 대한무용학회 논문집 / 79권 / 3호 / 101 ~ 124페이지
· 저자명 : 박서영

초록

This study aims to understand the traits of dances which vibrate in diverse ways between abstract and representation, and explore aesthetic meaning and value of abstract images from dance movements. Both choreographers leave abstract images through body movements. But their images are different in terms of form, content, preservation, and display.
In the works of Anne Teresa de Keersmaeker, abstract images play an important role of adding abstract nature to a piece of work while following the strategies of repetition and deviation used in the ‘geometric abstract’ of visual art. However, abstract images deeply relevant to human bodies are in incomplete forms showing traces of human being and therefore display unique and subtle expressive qualities in contrast with the cool geometric design in visual arts. On the other hand, in the works of Trisha Brown which can be described as ‘expressive abstract’, some of her improvisations are engraved while others naturally disappear. In her works, the movements go beyond the action of drawing abstract images and change repeatedly suggesting new relationship between movements and traces.
The two choreographers accumulate natural traces which are formed over time in space by leaving movements directly. Ironically, what shows up in the process is concrete images of time and space hidden behind the movements and music faced and felt by the audience. After this research, I am planning to explain whether the abstract images in digital media should be interpreted in different ways and conduct an in-depth study on aesthetic qualities created by digital abstract images in dance.

영어초록

This study aims to understand the traits of dances which vibrate in diverse ways between abstract and representation, and explore aesthetic meaning and value of abstract images from dance movements. Both choreographers leave abstract images through body movements. But their images are different in terms of form, content, preservation, and display.
In the works of Anne Teresa de Keersmaeker, abstract images play an important role of adding abstract nature to a piece of work while following the strategies of repetition and deviation used in the ‘geometric abstract’ of visual art. However, abstract images deeply relevant to human bodies are in incomplete forms showing traces of human being and therefore display unique and subtle expressive qualities in contrast with the cool geometric design in visual arts. On the other hand, in the works of Trisha Brown which can be described as ‘expressive abstract’, some of her improvisations are engraved while others naturally disappear. In her works, the movements go beyond the action of drawing abstract images and change repeatedly suggesting new relationship between movements and traces.
The two choreographers accumulate natural traces which are formed over time in space by leaving movements directly. Ironically, what shows up in the process is concrete images of time and space hidden behind the movements and music faced and felt by the audience. After this research, I am planning to explain whether the abstract images in digital media should be interpreted in different ways and conduct an in-depth study on aesthetic qualities created by digital abstract images in dance.

참고자료

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