동아시아 禪歌의 비교문학적 연구 서설 -13․4c 동아시아 문예사조로서 禪歌의 창작과 교류- (A Study on the zen song in the East Asia by a comparative literature approach - focused on it's creation and influence at 13,4c -)

서지정보

· 발행기관 : 국어국문학회
· 수록지 정보 : 국어국문학 / 158호 / 183 ~ 218페이지
· 저자명 : 김종진

초록

This paper aims to shed lights on some apects of literature correlations among Yuan(元), Korea dynasty, and Kamakura bakufu(鎌倉幕府) in Japan in the first half of the 14th century by using a comparative literature approach. The poem(or song) which I want to introduce in this paper is zen-song(禪歌) created by zen monks at that century. It has some distinct characteristic comparing with general Chinese poem, for example it use 3.7or 33777 syllables at some lines, meanwhile a composition in classical Chinese verse has seven syllables regularly(7777...). It shows a tendency that the title of this song is "○○ga(歌)", and this song contain thought and expressions of Zen sect. The origin of this song style is jeungdoga(證道歌)(song of attainment of Nirvana) written by younggahyeungak(永嘉玄覺)in Tang (唐) dynasty. But this style of zen song were created massively in 13～14c in Yuan, Korea, Kamakura bakufu in Japan. Representative writers of this syle were Jungbonmyeongbon(中峰明本), Seokokcheonggong(石屋淸珙), Cheonyeoyucheuk(天如惟則) in Yuan dynasty, Naonghyegeun(懶翁惠勤),Taegobou(太古普愚) in Korea dynasty, and Cheongjoljeongjing(淸拙正澄) etc.
in Kamakura bakufu(鎌倉幕府) in Japan. They had taken a very important role at spreading the thought of zen aroused from China to their nations (Korea, Japan).
As a conclusion of this discussion It could be told that each nations had a characteristic of their own. At first zen monks of Yuan dynasty had an antagonistic attitude to Yuan which the Mongolian has built. So they refused to accept the King's proposal of proceeding the chief monk of the main temple of China. They kept stayed at mountain and had cultivated themselves morally very strictly. And they made various songs showing their ideal mental stage. In Korea dynasty some pieces of this song showed its strong connection with social pride. They thought that zen song is very useful method showing their receiving the mantle which was succeeded to Yuan Zen sect's authority. In case of Japan two different directions had come into. Over 20 monks had escaped from Mongolian dynasty(Yuan), and over 200 monks had gone abroad to Kangnam(江南) province in China. 2～3works of Japan's zen song contains a reality of difficulties of the war partly,and poetic line number has a tendency to shorten.

영어초록

This paper aims to shed lights on some apects of literature correlations among Yuan(元), Korea dynasty, and Kamakura bakufu(鎌倉幕府) in Japan in the first half of the 14th century by using a comparative literature approach. The poem(or song) which I want to introduce in this paper is zen-song(禪歌) created by zen monks at that century. It has some distinct characteristic comparing with general Chinese poem, for example it use 3.7or 33777 syllables at some lines, meanwhile a composition in classical Chinese verse has seven syllables regularly(7777...). It shows a tendency that the title of this song is "○○ga(歌)", and this song contain thought and expressions of Zen sect. The origin of this song style is jeungdoga(證道歌)(song of attainment of Nirvana) written by younggahyeungak(永嘉玄覺)in Tang (唐) dynasty. But this style of zen song were created massively in 13～14c in Yuan, Korea, Kamakura bakufu in Japan. Representative writers of this syle were Jungbonmyeongbon(中峰明本), Seokokcheonggong(石屋淸珙), Cheonyeoyucheuk(天如惟則) in Yuan dynasty, Naonghyegeun(懶翁惠勤),Taegobou(太古普愚) in Korea dynasty, and Cheongjoljeongjing(淸拙正澄) etc.
in Kamakura bakufu(鎌倉幕府) in Japan. They had taken a very important role at spreading the thought of zen aroused from China to their nations (Korea, Japan).
As a conclusion of this discussion It could be told that each nations had a characteristic of their own. At first zen monks of Yuan dynasty had an antagonistic attitude to Yuan which the Mongolian has built. So they refused to accept the King's proposal of proceeding the chief monk of the main temple of China. They kept stayed at mountain and had cultivated themselves morally very strictly. And they made various songs showing their ideal mental stage. In Korea dynasty some pieces of this song showed its strong connection with social pride. They thought that zen song is very useful method showing their receiving the mantle which was succeeded to Yuan Zen sect's authority. In case of Japan two different directions had come into. Over 20 monks had escaped from Mongolian dynasty(Yuan), and over 200 monks had gone abroad to Kangnam(江南) province in China. 2～3works of Japan's zen song contains a reality of difficulties of the war partly,and poetic line number has a tendency to shorten.

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