동아시아 詩會文化의 기원 (A Study on the Origin of the Poetry-Club of East Asia)

서지정보

· 발행기관 : 한국중어중문학회
· 수록지 정보 : 중어중문학 / 59호 / 3 ~ 26페이지
· 저자명 : 강필임

초록

在古代，文人是精神文化的主体，诗歌是精神文化的核心，诗会是在其精神 文化的创造、消费、流通上的重要媒体。诗会是在古代东亚文人的以诗歌为具体 手段的智力的、艺术的交流文化，是共享思想和文学情趣的开放型人际关系，也 是一种共享风流情趣的雅会、智力性游戏文化。 诗会是以‘賦詩言志’传统、‘詩可以群’认识为基础，加上魏晋南北朝文人的风 流文化而形成的文人交流文化。诗会就在魏晋南北朝时期发生，其时代背景为， 文学价值观念的变化以及对纯文学的认识、文人的主体意识强化及以其为背景所 形成的非政治、相对平等的交流文化、以诗歌创作能力为標準取士的社会环境、 新笔记材料纸本的普遍使用等。还有一些人们喜欢乐趣、追求游戏的本能也对诗 会文化的诞生起了积极作用，当时文人所讲究的乐趣主要是精神上、艺术上的风 流情趣，诗会就最符合文人的这些精神追求。 现在，诗会已经是古代文化了，对此有很多社会文化上的原因，但其所拥有 的精神价值、美学的深度、社会文化史的意义并不是完全没了，应该抽出其文化 精髓而现代性发挥，也有必要恢复智力性沟通文化。

영어초록

In the ancient East Asia, literary men were subjects of spiritual culture.
The poetry was the center and a poetry club was an important medium for creation, consumption and exchange of spiritual culture. Such poetry clubs were based on the tradition of ‘conveying the meaning by creating the poem (賦詩言志)’ and awareness of ‘getting along through the poem (詩可以 群)’. As appreciation culture for the arts of the Elegant Assembly in the WeiJin(魏晉) Courts Period was developed, exchange culture of literary men was formed. In particular, in the WeiJin-Northern and Southern Courts Period, the value of literature, the awareness of pure literature, the sense of sovereignty of literary men was enhanced. With this background, non-political horizontal exchange culture was born and the social atmosphere appreciating talented people with ability to create the poetry was formed. Moreover, the paper was generally used. Taken all together, it could be born. Of course, human playful instinct pursuing the pleasure and artistic instincts were added.
The poetry club was the intellectual and artistic exchange culture of the intellectuals in the East Asia through the poetry and the open human meeting sharing ideological and cultural tastes. It was the cultural meeting enjoying the advanced culture, the elegant exchange culture and intellectual amusement. Poetry and poetry culture which ancient literary men enjoyed do not have effective value any longer, because of various reasons such as uniqueness of expression media which are Chinese characters and westernization of academic cultural areas. However, the size of its spiritual value, aesthetic depth and social and cultural meaning are not useless yet.
It is required to find the current meaning and revive the intellectual exchange culture, even though we do not create the poetry using Chinese characters.

참고자료

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