티르소 데 몰리나의 코메디아에 나타난 음악의 기능 (Tirso de Molina’s Comedies and Music)

서지정보

· 발행기관 : 부산외국어대학교 지중해지역원
· 수록지 정보 : 지중해지역연구 / 19권 / 1호 / 103 ~ 124페이지
· 저자명 : 이만희

초록

Tirso de Molina inherited the main functions of the ancient Greek drama’s chorus and adapted them to his Catholic Spanish comedies in the 17th century. The playwriter left to musicians not only lyrical songs to present the festival stages, but also the functions of prophet, adviser and ethical messenger. As the Spanish Baroque was a period of magnificent festivals, the chorus of the ancient Greek plays became a good tool for Tirso de Molina’s comedies to overcome the monotony of the dialogic play and create spectacular stages for the audience. In the Catholic view of the world, the intervention of music as a divine revelation was natural and the religious role as a prophet and adviser melted well into Tirso’s works. Above all, the music introduced in the comedy genre also performed the educational functions which the authentic religious drama such as sacramental act was in charge of. It is because of the Catholic ideology of the Counter Reformation which had an overwhelming influence on all kinds of plays. In the history of the Spanish drama, the music used in Tirso de Molina’s comedies became important theatrical means in the period of transition to the 18th century, when the Spanish comedies accepted the musical character widely and intensively.

영어초록

Tirso de Molina inherited the main functions of the ancient Greek drama’s chorus and adapted them to his Catholic Spanish comedies in the 17th century. The playwriter left to musicians not only lyrical songs to present the festival stages, but also the functions of prophet, adviser and ethical messenger. As the Spanish Baroque was a period of magnificent festivals, the chorus of the ancient Greek plays became a good tool for Tirso de Molina’s comedies to overcome the monotony of the dialogic play and create spectacular stages for the audience. In the Catholic view of the world, the intervention of music as a divine revelation was natural and the religious role as a prophet and adviser melted well into Tirso’s works. Above all, the music introduced in the comedy genre also performed the educational functions which the authentic religious drama such as sacramental act was in charge of. It is because of the Catholic ideology of the Counter Reformation which had an overwhelming influence on all kinds of plays. In the history of the Spanish drama, the music used in Tirso de Molina’s comedies became important theatrical means in the period of transition to the 18th century, when the Spanish comedies accepted the musical character widely and intensively.

참고자료

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