1930년대 경성의 전시공간 (The Exhibition Space in Kyungseong during the 1930s)

서지정보

· 발행기관 : 한국근현대미술사학회(구 한국근대미술사학회)
· 수록지 정보 : 한국근현대미술사학(구 한국근대미술사학) / 20호 / 97 ~ 116페이지
· 저자명 : 목수현

초록

The exhibition as a sightseeing was a trend in Kyungseong (京城) during the 1930s. The exhibition culture visualized the understandings about society, and it was widely spread all over the world, and it was both modern and western in East Asia, includeing Chosun. Traditionally, scholars would
gather together and appreciate poems or drawings. However, this form was altered in that many anonymous audiences could appreciate the exhibited
works while wandering (as a ‘flâneur’ by the mean of Walter Benjamin), or by taking a glance at the works. It was an innovative form of cultural experience, and it generated a new class called “audience,” who remained anonymous.
The first big exhibition in Chosun was ‘Si-jeong O-nyun Ki-nyum Chosun Mul-san Gongjin-hoe (Competitive Products Exhibition Commemorating the Five Years of Japanese Reign, 施政五年記念朝鮮物産共進會),’ in 1915. It exhibited not only artistic works, but also agricultural products and hand-made goods, and it introduced the new culture of exhibition to the people of Chosun.
Although art was only one of the elements in the exhibition in 1915, it developed into the establishment of the Chosun-governor Office Museum and
Chosun Art Exhibition, which constituted two pillars of the Chosun-governor office’s art policies. The art exhibition of Seo-hwa Hyup-hoe (an association of painters and calligraphers), held from 1921 to 1936, was led by a civil group and made use of school auditoriums to display works to the public. The Chosun Art Exhibition, the public exhibition held by the Chosun-governor office from 1922 to 1944, used Sang-pum-jin-yeol-gwan (commodity gallery) at first, and then the library of the office, or its previous office building to display the works. The Chosun Art Exhibition had no its own exhibition space until 1939. The auditoriums of newspaper companies, which were another place for exhibitions in the 1920s, were not solely used as exhibition halls, but
also as composite spaces for various purposes. Since the 1930s, permanent exhibition halls began to appear, as the Mitsukoshi department store and Hwasin department store opened art galleries; the facilities were built thanks to the commercial distribution of art works. Another characteristic of the era is that cafes were used to exhibit art, although these displays were not
permanent.
The Modern Japanese Art Exhibition at Seokjojeon, located in Deoksu palace, began since in 1933, and the new wing of Yi-wanga Museum was built in 1938. Finally, the Chosun-governor office Museum was built in 1939. These were the beginning of permanent, public exhibition centers, and the mass exhibition culture originated from the establishments of these buildings.

영어초록

The exhibition as a sightseeing was a trend in Kyungseong (京城) during the 1930s. The exhibition culture visualized the understandings about society, and it was widely spread all over the world, and it was both modern and western in East Asia, includeing Chosun. Traditionally, scholars would
gather together and appreciate poems or drawings. However, this form was altered in that many anonymous audiences could appreciate the exhibited
works while wandering (as a ‘flâneur’ by the mean of Walter Benjamin), or by taking a glance at the works. It was an innovative form of cultural experience, and it generated a new class called “audience,” who remained anonymous.
The first big exhibition in Chosun was ‘Si-jeong O-nyun Ki-nyum Chosun Mul-san Gongjin-hoe (Competitive Products Exhibition Commemorating the Five Years of Japanese Reign, 施政五年記念朝鮮物産共進會),’ in 1915. It exhibited not only artistic works, but also agricultural products and hand-made goods, and it introduced the new culture of exhibition to the people of Chosun.
Although art was only one of the elements in the exhibition in 1915, it developed into the establishment of the Chosun-governor Office Museum and
Chosun Art Exhibition, which constituted two pillars of the Chosun-governor office’s art policies. The art exhibition of Seo-hwa Hyup-hoe (an association of painters and calligraphers), held from 1921 to 1936, was led by a civil group and made use of school auditoriums to display works to the public. The Chosun Art Exhibition, the public exhibition held by the Chosun-governor office from 1922 to 1944, used Sang-pum-jin-yeol-gwan (commodity gallery) at first, and then the library of the office, or its previous office building to display the works. The Chosun Art Exhibition had no its own exhibition space until 1939. The auditoriums of newspaper companies, which were another place for exhibitions in the 1920s, were not solely used as exhibition halls, but
also as composite spaces for various purposes. Since the 1930s, permanent exhibition halls began to appear, as the Mitsukoshi department store and Hwasin department store opened art galleries; the facilities were built thanks to the commercial distribution of art works. Another characteristic of the era is that cafes were used to exhibit art, although these displays were not
permanent.
The Modern Japanese Art Exhibition at Seokjojeon, located in Deoksu palace, began since in 1933, and the new wing of Yi-wanga Museum was built in 1938. Finally, the Chosun-governor office Museum was built in 1939. These were the beginning of permanent, public exhibition centers, and the mass exhibition culture originated from the establishments of these buildings.

참고자료

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