포스트모던 댄스에 나타난 비표현(anti-expression)에 관한 논의－이본느 레이너의 「트리오 A」(1966)를 중심으로 (A Study on the Characteristics of Anti-Expression in the Postmodern Dance －Focused on Trio A(1966) by Yvonne Rainer)

서지정보

· 발행기관 : 대한무용학회
· 수록지 정보 : 대한무용학회 논문집 / 73권 / 5호 / 109 ~ 132페이지
· 저자명 : 이지선, 김말복

초록

This study begins with an idea on postmodern dance which differs from modern dance as a counter concept is a binary opposition in the American political, aesthetical and dance historical point of view. I analyze the Sally Banes’ definition of post-modern dance which brought a general understating of it and widen it by applying the Hal Foster’s. In order that, I assort and reconsider the mainstream of dance expressionism as follows. One is an expression of modernist presented by M. Graham and M. Cunningham, the other is an anti-expression of postmodernist presented by Y. Rainer.

영어초록

This study begins with an idea on postmodern dance which differs from modern dance as a counter concept is a binary opposition in the American political, aesthetical and dance historical point of view. I analyze the Sally Banes’ definition of post-modern dance which brought a general understating of it and widen it by applying the Hal Foster’s. In order that, I assort and reconsider the mainstream of dance expressionism as follows. One is an expression of modernist presented by M. Graham and M. Cunningham, the other is an anti-expression of postmodernist presented by Y. Rainer.

참고자료

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