고려불화(佛畵)의 고전머리를 모티브로 한 재현 디자인 연구 (A Study on the Design of a Reproduction with the motif of the classic head of Goryeo Buddhist Painting)

서지정보

· 발행기관 : 국제보건미용학회
· 수록지 정보 : 국제보건미용학회지 / 18권 / 2호 / 110 ~ 123페이지
· 저자명 : 김다홍, 도주연

초록

The purpose of this study is to select and reproduce the classical hair representing the Goryeo Dynasty after examining the hair shape that appeared in the Goryeo Dynasty Buddhist paintings. Therefore, the method of this study was, first, to investigate the type, content, and concept of Buddhist paintings. Second, after reviewing the entire picture of Buddhist paintings, the stylistic characteristics and the hair shape shown in the Buddhist paintings were divided and organized. Third, by examining the hair shapes in the Buddhist paintings, Chuma-gye, Gocheong-gye, Jocheon-gye, Ssanghwan-gye, Queen's head, and Ssangsu-gye were selected and expressed as illustrations, and then ornaments decorated on the head were produced and reproduced using them in classical hair. As a result of the work, Chuma-gye expressed the shape of a gache in the form of a wind. Gogye designed the gache in a mountain shape, decorated it with jewelry, and expressed it as an aristocratic image. Jocheon-gye designed the gache in a trapezoidal shape, decorated it with jewelry, and expressed it with a colorful image. Ssanghwan-gye designed the gache with a reaping curve, decorated it with Jangsi-gu, and expressed it as an image of a fairy. The queen's head made the gache at an appropriate height and then decorated it with jewelry to express an elegant image. Ssangsu-gye expressed a unique image by tying the hair on both sides of a four to make an elliptical system, and then decorating it with jewelry. As a result, I believe that the unique head shapes depicted in Goryeo Buddha paintings will serve as valuable data for the study of classical hair design. Therefore, it is hoped that these research results will be applied to the field of classical hair education so that the classical hair can be further developed.

영어초록

The purpose of this study is to select and reproduce the classical hair representing the Goryeo Dynasty after examining the hair shape that appeared in the Goryeo Dynasty Buddhist paintings. Therefore, the method of this study was, first, to investigate the type, content, and concept of Buddhist paintings. Second, after reviewing the entire picture of Buddhist paintings, the stylistic characteristics and the hair shape shown in the Buddhist paintings were divided and organized. Third, by examining the hair shapes in the Buddhist paintings, Chuma-gye, Gocheong-gye, Jocheon-gye, Ssanghwan-gye, Queen's head, and Ssangsu-gye were selected and expressed as illustrations, and then ornaments decorated on the head were produced and reproduced using them in classical hair. As a result of the work, Chuma-gye expressed the shape of a gache in the form of a wind. Gogye designed the gache in a mountain shape, decorated it with jewelry, and expressed it as an aristocratic image. Jocheon-gye designed the gache in a trapezoidal shape, decorated it with jewelry, and expressed it with a colorful image. Ssanghwan-gye designed the gache with a reaping curve, decorated it with Jangsi-gu, and expressed it as an image of a fairy. The queen's head made the gache at an appropriate height and then decorated it with jewelry to express an elegant image. Ssangsu-gye expressed a unique image by tying the hair on both sides of a four to make an elliptical system, and then decorating it with jewelry. As a result, I believe that the unique head shapes depicted in Goryeo Buddha paintings will serve as valuable data for the study of classical hair design. Therefore, it is hoped that these research results will be applied to the field of classical hair education so that the classical hair can be further developed.

참고자료

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