국보『겐지모노가타리 에마키(源氏物語絵巻)』 독자적인 場面에 관한 一考察 (A Study on the independent scenes of "National Treasure: Genjimonogatari-emaki")

서지정보

· 발행기관 : 한국일어일문학회
· 수록지 정보 : 일어일문학연구 / 102권 / 2호 / 241 ~ 261페이지
· 저자명 : 김수미

초록

本稿は、国宝『源氏物語絵巻』中、柏木グループと早蕨グループの場面を 取り上げ、後代に継承されていない独自的な場面を中心にして考察したもの である。 従来の『源氏物語絵巻』の場面選択の研究が、主に物語内容と比較し、場面選択の構成論理に重点を置いたとすれば、ここでは、中世・近世源氏絵の 場面選択の現況を知る資料として源氏絵詞の作品群と現存する源氏絵等を取 り上げ、これらの作品との比較を通して、本作品の場面の特性と絵画化の方 法を探ってみようとした。 その結果、源氏絵詞の作品群と現存する源氏絵で採択した類型化の場面 は、主に男女主人公の恋愛場面、儀礼・宴会場面であったのに対して、国宝 『源氏物語絵巻』の独自的場面の場合、人物の内面や人事がよく表出する場 面が採択され、物語の主題を表現する場面構成になっていたことが確認され た。特に、本作品で、主人公だけではなく、多様に登場する人物群像は、画 面の中で単純に周辺人物として存在するのではなく、絵画的技法により多様 なメッセージとして用いられる媒体であったのである。 このように、本作品の作品性を構成する重要な枠として、独自的な場面選 択、多彩な人物群像を絵画化した画面が存在したといえよう。

영어초록

This manuscript considered the independent scenes that are not succeeded to the posterity centered on the picture scenes of the Kasiwagi Group and the Sawarabi Group of "National Treasure: Genjimonogatari-emaki".
If it can be said that the previous, precedent researches mainly emphasized the organizational logic of the selection of the picture scenes by comparing with the summary of a work of art, in this manuscript, it was intended to re-illuminate the special characteristics and the method of the pictorialization of the scenes in this work of art by adopting the group of the Genji-ekotoba works of art and the future generation Genji-e.
As a result, differently from the fact that the previous, typed scenes that were adopted in the Genji-ekotoba group of the works of art and the future-generation Genji-e works of art mainly dealt with the dating scenes or the formality and banquet scenes of the male and female protagonists, in the case of the independent scenes of "National Treasure: Genjimonogatari-emaki", we can find out that the pictorialization has been done with the scene organization that expresses the subject of Monogatari-e by adopting the scenes which express the inner side feelings between the persons and the human affairs well. Especially, the large group of people who diversely appear in these works of art had been used as the media who have a good command of the diverse messages through the pictorial techniques and not simply as the surrounding people with in the screen.
As such, it can be said that, as an important framework that organizes the quality of the work of these work of art, a picture screen which independently selected the scenes and pictorialized the multifarious, large group of people had existed.

참고자료

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