20세기 전반기 잡가의 라디오 방송 현황과 특징 (The Aspect and Characteristics of Radio Broadcasting of Jabga Early in 20 Century)

서지정보

· 발행기관 : 한국어문학회
· 수록지 정보 : 어문학 / 103호 / 143 ~ 165페이지
· 저자명 : 박지애

초록

The purpose of this study is to examine the aspect and characteristics of Jabga radio-broadcasted early in 20 century. The contents of this study are summarized as follows.
Chapter 2 examined the aspect of Jabga broadcasted on radio. <Bang-A-Ta-Ryung> was broadcasted most frequently, and then <Heung-Ta- Ryung>, <Su-Sim-Ga>, <Young-Byun-Ga>, and <Yuk-Ja-Bae-Gi> were in order. Gin-Jabga was remarkably declined.
Chapter 3 clarified the characteristics of Jabga in 1930’s on the basis of the aspect of radio broadcasting.
First, the name ‘Jabga’ began to disappear on radio broadcasting from 1934. The name ‘Jabga’ had been used since 19 century. However, the name did not have definite genre identification. ‘Jabga’ was designated for various genres such as ‘Gasa’, ‘Gagok’, and so on until 1920’s. Then gradually, the name ‘Jabga’ disappeared from 1934. Its reason is that the conceptual ambiguity and negative implication of ‘Jabga’ was changed as they met the recognition of modern genre.
Second, as the radio, new media, radio appeared, a repertory which was previously popular began to be changed. First of all, Gin-Jabga and <Su-Sim-Ga> were declined. The decline of Gin-Jabga was related to limited time of performance on radio. <Su-Sim-Ga> was the most popular repertory of ‘Jabga’ until 1920’s. The decline of <Su-Sim-Ga> was related to social situation of those days at Japan’s colonial period. Japan that was constructing war basis emphasized only optimistic prospect of reality. Thus elegiac <Su-Sim-Ga> could not be broadcasted. <Heung-Ta-Ryung> emphasizing delightfulness became popular in return.

영어초록

The purpose of this study is to examine the aspect and characteristics of Jabga radio-broadcasted early in 20 century. The contents of this study are summarized as follows.
Chapter 2 examined the aspect of Jabga broadcasted on radio. <Bang-A-Ta-Ryung> was broadcasted most frequently, and then <Heung-Ta- Ryung>, <Su-Sim-Ga>, <Young-Byun-Ga>, and <Yuk-Ja-Bae-Gi> were in order. Gin-Jabga was remarkably declined.
Chapter 3 clarified the characteristics of Jabga in 1930’s on the basis of the aspect of radio broadcasting.
First, the name ‘Jabga’ began to disappear on radio broadcasting from 1934. The name ‘Jabga’ had been used since 19 century. However, the name did not have definite genre identification. ‘Jabga’ was designated for various genres such as ‘Gasa’, ‘Gagok’, and so on until 1920’s. Then gradually, the name ‘Jabga’ disappeared from 1934. Its reason is that the conceptual ambiguity and negative implication of ‘Jabga’ was changed as they met the recognition of modern genre.
Second, as the radio, new media, radio appeared, a repertory which was previously popular began to be changed. First of all, Gin-Jabga and <Su-Sim-Ga> were declined. The decline of Gin-Jabga was related to limited time of performance on radio. <Su-Sim-Ga> was the most popular repertory of ‘Jabga’ until 1920’s. The decline of <Su-Sim-Ga> was related to social situation of those days at Japan’s colonial period. Japan that was constructing war basis emphasized only optimistic prospect of reality. Thus elegiac <Su-Sim-Ga> could not be broadcasted. <Heung-Ta-Ryung> emphasizing delightfulness became popular in return.

참고자료

· 없음