이상의 시에 나타나는 프랑스어 차용과 국어의 해체 (A Study of the Implications of French Vocabularies in Lee Sang’s Poems)

서지정보

· 발행기관 : 한국동서비교문학학회
· 수록지 정보 : 동서비교문학저널 / 28호 / 193 ~ 213페이지
· 저자명 : 이병수

초록

The following research is about the French vocabularies that appear in Lee Sang’s poems. Lee Sang (1910-1937) was Korea’s first surrealist and considered a modernist. During his short 27 years of life, his poems and novels demonstrated an avant-garde type of writing. He utilized Korean, Chinese, Japanese, French, English, Geometry, and Mathematics in his literature. Our research attempts to translate and analyze the function and meaning of the French vocabularies shown in Lee Sang’s poems. As a result, the French expressions in Lee Sang’s poems were proven to appear as Korean vocabularies’ refusal and dissolution. The method of French expressions used by Lee Sang was an experimental method and was difficult to comprehend during that time of Korean literature. Lee Sang used the French vocabularies as a single symbol, such as a mathematical composition of numbers or geometrical graphic markings. The French vocabularies that he makes use of are meaningless and supra-literary, like the poems of the French surrealists. To illustrate, the poet attempts the automatic writing, which was also used by the French surrealist poets. As an outcome, it created Lee Sang’s style of writing that can be seen nowadays. The French vocabularies from Lee Sang’s poems are characterized by the surrealistic features, such as resistance, negation, and dismantlement. Moreover, the poet opened the door for the new poetic languages and literary forms to Korean literature. To conclude, the French vocabularies in his poems are significant vocabularies that show avant-gardist and experimental characteristics. Additionally, the French expressions utilized by the poet are the principal evidence that display the universalism of Korean literature.

영어초록

The following research is about the French vocabularies that appear in Lee Sang’s poems. Lee Sang (1910-1937) was Korea’s first surrealist and considered a modernist. During his short 27 years of life, his poems and novels demonstrated an avant-garde type of writing. He utilized Korean, Chinese, Japanese, French, English, Geometry, and Mathematics in his literature. Our research attempts to translate and analyze the function and meaning of the French vocabularies shown in Lee Sang’s poems. As a result, the French expressions in Lee Sang’s poems were proven to appear as Korean vocabularies’ refusal and dissolution. The method of French expressions used by Lee Sang was an experimental method and was difficult to comprehend during that time of Korean literature. Lee Sang used the French vocabularies as a single symbol, such as a mathematical composition of numbers or geometrical graphic markings. The French vocabularies that he makes use of are meaningless and supra-literary, like the poems of the French surrealists. To illustrate, the poet attempts the automatic writing, which was also used by the French surrealist poets. As an outcome, it created Lee Sang’s style of writing that can be seen nowadays. The French vocabularies from Lee Sang’s poems are characterized by the surrealistic features, such as resistance, negation, and dismantlement. Moreover, the poet opened the door for the new poetic languages and literary forms to Korean literature. To conclude, the French vocabularies in his poems are significant vocabularies that show avant-gardist and experimental characteristics. Additionally, the French expressions utilized by the poet are the principal evidence that display the universalism of Korean literature.

참고자료

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