论香港僵尸电影叙事影像研究

서지정보

ㆍ발행기관 : 대한중국학회 ㆍ수록지정보 : 中國學 / 82권
ㆍ저자명 : 李 韬

목차

1. 绪论
2. 香港僵尸电影的发展史
1) 形成期：1936年—1979年
2) 蓬勃发展期：1980年—1990年
3) 没落期：1990年—至今
3. 叙事影像元素
1) 作为恐怖化身的僵尸形象
2) 作为正义化身的道士形象
3) 作为打败“僵尸”的法器
4. 叙事影像色彩
1) 以色彩对比渲染情境
2) 以色彩情感元素表达主题
5. 叙事影像时空背景
6. 结语

영어 초록

Zombie films are unique to the Hong Kong film industry, and have basically never appeared in other film markets. Hong Kong zombie movies started in the 1930s, and its development has gone through three periods: the formation period, the vigorous development period, and the decline period. During the vigorous development period, it achieved great success precisely because of its unique narrative image. This success is not only reflected in the box office, but also in the narrative of the film itself, especially the narrative image. Therefore, it is necessary to study the narrative images of Hong Kong zombie films in the development period and explore their unique artistic image charm. The narrative images of zombies in Hong Kong mainly include narrative image elements, narrative image colors, and narrative image space-time backgrounds. Narrative image elements include zombie images incarnated by terror, Taoist images incarnated by justice, and magic tools to defeat “zombies”; the color of narrative images is mainly reflected in rendering the situation through contrasting colors and expressing the theme with color emotional elements; the space-time background of narrative images presents a unique cultural connotation. This article discusses and studies Hong Kong zombie movies through narrative images, summarizes the general rules, and provides a certain theoretical basis and support for the future development of zombie movies.

참고 자료

없음