작품에 있어서 개작(改作)에 관한 고찰
(주)학지사
- 최초 등록일
- 2015.03.25
- 최종 저작일
- 2001.01
- 21페이지/ 어도비 PDF
- 가격 5,000원
* 본 문서는 배포용으로 복사 및 편집이 불가합니다.
서지정보
ㆍ발행기관 : 한국조형교육학회
ㆍ수록지정보 : 조형교육 / 17권
ㆍ저자명 : 이광미
목차
Ⅰ. 서론
Ⅱ. 개작의 배경과 전개
Ⅲ. 개작의 범주
Ⅳ. 결론
참고문헌
ABSTRACT
영어 초록
Throughout art history artists have been borrowing from other art, they are interested in various ways and on many levels, in the materials and techniques of art and the styles and major figures of the history of art.
The content or style, or both, of earlier works of art has been integrated into new works that comment, critically or satirically, on the art that provided the point of departure.
The art-about-art theme seems to be a pervasive ingredient of much of recent art. A number of artists first explored this area, and subsequently concentrated on this theme. A great many artists have devoted their entire careers to the art-about-art subject, or made it a focal concern, The works reproduced here were divided into three categories : About the Artist, About Old Masters, About Modern Masters.
The reasons that artists, borrow from other art are multiple and varied. They interest in art reproduction and photographic reproduction process, and often display impudent humor, satire, and parady.
This new style relates to many artists’ current concern with technology, process, transformation, and to popular media and mass-audience interests. Quite often the artist emphasizes that it is the reproduction that he is re-creating, rather than, as in past art-about-art, the original work that served as the subject.
참고 자료
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