판소리 명창 박록주의 예술세계

서지정보

ㆍ발행기관 : 한국구비문학회 ㆍ수록지정보 : 구비문학연구
ㆍ저자명 : 김석배

목차

Ⅰ. 머리말
Ⅱ. 박록주 명창의 소리인생
Ⅲ. 박록주 명창의 소리세계
1. 박록주가 남긴 녹음
2. 박록주 소리의 특징
Ⅳ. 맺음말
* 부록

한국어 초록

판소리의 가창능력이 탁월한 소리꾼을 일러 ‘판소리 명창’이라고 한다. 조선창극사에는 판소리 藝苑을 수놓았던 89명의 소리꾼이 소개되어 있지만, 그 중에서 명실상부한 명창으로 꼽을 만한 이는 그리 많지 않다. 그렇다면 판소리꾼 중에서 과연 어떤 이를 명창으로 부를 수 있을까? 사람마다 견해가 다를 수 있으니 시원스런 해답을 마련하기란 쉽지 않다. 그렇다고 적절한 해답을 마련하는 것이 전혀 불가능한 것은 아니다.

영어 초록

Park, Rok-Ju(1905～1979) was the celebrated singer of pansori which has left a clear trace centering around the history of modern pansori. This paper tried to make a contribution in building up her great position as arranging her artistic life and the world of art that has exerted a beneficial influence upon the history of modern pansori.
She was a central figure of continuous pansori system from the 1930's to the 1970's. Even if she has gotten into action as a leading actress of Changguk[Korean Folk Operatic Song] from the 1930's to the 1970's, it was the legitimate pansori that she has persisted in to the last. As she has left a large amount of sound recording in the SP disk under the rule of Japanese imperialism and the LP one after liberation, we can figure out her art world.
Her art world as a rare ballad singer of Tongpyonje[the Eastern School of pansori] in the middle of female master singers is as follows;
First, she stores away the tradition of Tongpyonje pansori just as it is.
Second, her sound is ancient and simple-hearted, but has a deep taste.
Third, she tried to create the pansori toward matching her vocal sound and art view.
Fourth, Hungbo-ga[Song of Hungbo] is his favorite performance, and Chebi Nojeonggi[Song of the Swallow's Journey], Pak-taryeong[Song of the Gourd], Pitan-taryeong[Song of the Silk], and Paekpal-ga[Song of the White Hair] which is called tan-ga[short song] among them are tonum[her singing style].

참고 자료

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