伽藍配置의 來源과 중국적 전개양상 고찰

서지정보

ㆍ발행기관 : 한국건축역사학회 ㆍ수록지정보 : 건축역사연구 / 19권 / 2호
ㆍ저자명 : 염중섭

목차

1. 서론
2. 인도에 있어서의 가람배치적인내원
2-1. 精舍와 塔
2-2. 塔과 佛像
3. 중국의 가람배치
3-1. 金堂과 탑의 상관관계
3-2. 금당과 탑의 분리와 정형화
4. 결론
참고문헌
Abstract

영어 초록

In that the Buddhism is the religion founded by Buddha, the settlement of Buddha's existence is very important in the temple building arrangement which symbolizes the Buddha's world. What symbolizes the Buddha in the temple are the pagoda and the Buddhist image. Among them, the Buddhist image is directly connected with the Golden Hall. This kind of double structure is settled as a typical pattern for the arrangement of buildings such as halls and pagodas. The earlier one between the pagoda and Buddhist image is the pagoda, of course. It can be inferred that, through the gradual expansion of the Buddhist images, the gravity was transferred from the pagoda to the Golden Hall. But, if the Buddhist image can be connected with the Golden Hall in that it was the product reflecting the requests on the Buddha and his teaching, the internal origin of the Buddhist image should also go back to the early Buddhism. In fact, the gravest building in Veṇuvana - vihāra or Jetavana - anāehapiṇḍasyārāṃa was the Golden Hall, the Buddha's residence. And in the summit of Gṛdhrakūṭa or Jetavana - anāehapiṇḍasyārāṃa where Buddha stayed long, there is the gandha - kuṭī the Buddha's place till now. It means that the symbolic request on the Buddha and his teaching had existed even before the Buddhist image and that this tendency could be connected with the generation of Buddhist image. This paper is to show that the hall / pagoda structure generalized in the building arrangement of later age was originated not just from the Buddhist image and the sarira pagoda but from the gandha - kuṭī and the hair pagoda, and therefore the two should coexist inevitably. It is an attempt to develop a little more in the ideological perspective the general theory that the pagoda and the Buddhist image were fused into one precinct of temple later in their respective origins. That is, it tries to recognize the relation of pagoda and hall not as the conflicting one but as the complementary one.

참고 자료

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