말라르메의 『목신의 오후』와 예이츠의 ｢레다와 백조｣에 재현된 강간 환상

서지정보

ㆍ발행기관 : 한국예이츠학회 ㆍ수록지정보 : The Yeats Journal of Korea / 70권
ㆍ저자명 : 윤효녕

한국어 초록

본 논문의 논지는 말라르메의

영어 초록

This paper aims to elucidate that the poetic representations of rape fantasy in Stéphane Mallarmé’s L’après-midi d’un faune and W.B. Yeats’s “Leda and the Swan” elevate human sexual desire from its initial destructive bestial character to a higher constructive poetic level. In L’après-midi d’un faune, the faun transforms himself from a thoughtless carnal beast into a poet and creates the symbolist concept of beauty which is simultaneously sensuous and eternal. And in “Leda and the Swan,” the narrator clearly recognizes the destructive bestial violence inherent in human history born of the swan’s rape of Leda and reflects instead Yeats’s poetic imagination of a humanized historicism as the synthesis of power and wisdom.

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