조선미술전람회 공예부의 개설 과정에 대한 고찰: 전람회를 통한 근대 공예 개념의 형성과 확산
(주)코리아스칼라
- 최초 등록일
- 2016.04.02
- 최종 저작일
- 2014.06
- 31페이지/ 어도비 PDF
- 가격 7,700원
* 본 문서는 배포용으로 복사 및 편집이 불가합니다.
서지정보
ㆍ발행기관 : 한국미술연구소
ㆍ수록지정보 : 美術史論壇 / 38권
ㆍ저자명 : 노유니아
영어 초록
This research examines the craft section of the Joseon Fine Arts Exhibition(1922~1940).
To date, the arguments on Joseon Fine Arts Exhibition have been analyzed focusing on only paintings. However, the craft section is an important key to understand the acceptance of craft and design notions that had not existed in Korea up to that time. I aimed to analyze cause and effect in the establishment of the craft section in relation to two themes; One, the controversy among painters about whether calligraphy could be included in the field of art or not. Second, Japanese enthusiasm about Korean crafts in the 1920s such as the Mingei movement of Yanagi Muneyoshi and the investigations of historical sites at Nakrangduring the Japanese Colonial Period. By using catalogues, newspapers, magazines, and records of the Japanese Government-General of Korea at that time, it was discovered that the concepts of craft not only as fine arts but also as industry were introduced to Korea through the exhibition.
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