기운생동(氣韻生動)의 개념을 통해 본 수묵 기법의 패션 디자인

서지정보

ㆍ발행기관 : 복식문화학회 ㆍ수록지정보 : 복식문화연구 / 24권 / 4호
ㆍ저자명 : 김지영

목차

I. Introduction
Ⅱ. Theoretical Background
1. Concept of Chi-Yun-Sheng-Tung and oriental aesthetics
2. Expressive techniques of Chinese ink painting
Ⅲ. Analysis on contemporary fashion design of Chinese ink technique
1. Criteria of analysis
2. Analysis result
Ⅳ. Contemporary fashion design using Chinese ink technique based on Chi-Yun-Sheng-Tung
1. Expression of Chi-Yun-Sheng-Tung on fashion design of Chinese ink technique
2. Formativeness of contemporary fashion with Chinese ink technique based on Chi-Yun-Sheng-Tung
Ⅴ. Conclusion
References

영어 초록

This study considers the modern expression of oriental esthetics by analyzing the fashion design with the Chinese ink technique based on the concept of Chi-Yun- Sheng-Tung, which was regarded as the best rule of art creation in oriental history. This study was performed by conducting a literature review of related books and advanced studies, and then, collection analysis was done with photos derived from fashion websites (seoulfashionweek.org, chinafashionweek.org, vogue.com, firstview. com) from 2010 S/S to 2016 S/S. A total of 317 fashion photos of designs created using the Chinese ink technique by Korean designers at Seoul Fashion Week and Chinese designers at China Fashion Week were analyzed. The contemporary fashions created with the Chinese ink technique were characterized by, first, the bold brush strokes and natural spreading effects of Chinese ink, second, the emphasis of empty space by taking essential elements, and third, the coexistence of deep Chinese ink colors with modern primary colors. The formativeness of the contemporary fashions created with Chinese ink technique based on Chi-Yun-Sheng-Tung were as follows: first, temperance, pursuing spiritual and minimal expression, second, empty space, making design elements interact and pursue harmony, third, changeable rhythm, symbolizing the growth and variation revealing the power of life, and fourth, vitality, represented in the rhythmical movement of the brush. This study was based on the oriental esthetics inherent in Chi-Yun-Sheng-Tung, and it attempted to analyze contemporary fashion design. The aim was to show the possibility of modern applications to traditional values, and it can be a meaningful case in design planning based on culture.

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