해방공간(1945-1948)에서 제기된 민족미술의 성격분석
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서지정보
ㆍ발행기관 : 동아시아문화학회
ㆍ수록지정보 : 동아시아문화와예술
ㆍ저자명 : 이진성
ㆍ저자명 : 이진성
목차
I. 들어가는 말II. 해방공간(1945-1948) 3년의 미술계
III. 이 시기 제기된 민족미술의 성격분석
IV. 나오는 말
참고문헌
한국어 초록
It was the artists who belonged to the leftist art circles ratherthan the ones from rightist art movements who felt the necessity
to have discussions on the Korean national art and laid some
specific schemes from 1945 until 1948. To read the tendency from
a different angle, it could be understood as a part of the whole
leftist cultural movement during the Liberation period which had
to give emphasis to ‘Nationalism’ rather than to the individual
values. Since then and through the period of Korean war and
democratization movements of the 60s and 70s, the discussions
on national art had been constantly repeated in some similar or
different ways. This study aims to make sure that it is impossible
to find some clues to read this flow altogether in a coherent way,
and to lay a groundwork for future studies.
영어 초록
It was the artists who belonged to the leftist art circles ratherthan the ones from rightist art movements who felt the necessityto have discussions on the Korean national art and laid somespecific schemes from 1945 until 1948. To read the tendency froma different angle, it could be understood as a part of the wholeleftist cultural movement during the Liberation period which hadto give emphasis to ‘Nationalism’ rather than to the individualvalues. Since then and through the period of Korean war anddemocratization movements of the 60s and 70s, the discussionson national art had been constantly repeated in some similar ordifferent ways. This study aims to make sure that it is impossibleto find some clues to read this flow altogether in a coherent way,and to lay a groundwork for future studies.참고 자료
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