무용대본의 유형과 기능에 관한 연구

서지정보

ㆍ발행기관 : 한국문화예술교육학회 ㆍ수록지정보 : 모드니 예술 / 7권
ㆍ저자명 : 최석민

목차

Ⅰ. 연구의 필요성 및 목적
Ⅱ. 무용대본의 개념
Ⅲ. 무용대본의 특징 및 유형
Ⅳ. 무용대본의 기능과 역할
Ⅴ. 결 론

한국어 초록

무용공연예술은 오랜 세월 속에 많은 변화와 발전을 거듭해왔다. “사상과 감정을 신체를 통해
표현한다.”라는 무용의 보편적 정의처럼 한 인간(안무자)의 사상과 감정 등을 다양한 신체움직임
을 통해 타인에게 표현 및 전달하고자 하던 본질적인 무용공연은 시대적 변화 속에서 표현을
보다 더 극대화하기 위하여 음악, 무대기술, 조명, 의상, 분장, 영상, 세트 등 여러 가지 복합적
인 공연요소들을 접목 및 활용시킴으로써 타 장르와의 교류 및 융합을 통해 종합예술의 형태를
갖추고 있다. 또한 기술적인 측면에서 바라본다면 21C 오늘날 무용공연은 한마디로 ‘하이테크무
용공연예술’이라고 할 수 있을 것이다. 이는 기술발달에 의한 자연스러운 현상인 동시에 앞에서
언급한 안무자의 작품세계를 타인(관객)에게 전달하고 소통하기위해 시도된 노력들의 결과라고
볼 수 있다.

영어 초록

Dance art has been changing and developing for a long time. As the general definition of dance, “The idea
and the emotion are expressed by the body.” Original dance takes the shape of composite art through
exchange and fusion with other fields by grafting or using other various factors of the performance like the
music, stage, lighting, dress, makeup, video, and set to increase the expression. From a technical aspect,
today's dance art would be defined as “high-tech dance art”. This is a natural phenomenon as a result of the
development of art technology and the attempted efforts to express and communicate the work of the dancer
with the audience.
Considering this aspect, effective use of various factors of the performance have contributed a great deal to
narrowing the distance between the audience to express the idea and emotion of the dancer.
To express the idea and emotion of the dancer and share it with the audience, the primary goal would be
a ‘dance script.’ Though the dance has a history of many years, the dance script does not. This definition
was used after modern times in Korea and did not last much longer. However, it is clear that the dance
script has become one of the parts of dance art and will continue to develop. Nonetheless, there is no study
of the definition, role, and analysis of the dance script because of the lack of understanding of dancers and
institute officials. In the present study, I defined the dance script and discussed its role according to the
patterns.
The dance script is defined as, “The product of the text work of minimal form to organize dance art and
the start of image work to express the ideas and emotions of the dancer by body motion, performing the
expression and sharing it with the audience.”
Dance is the art of body motion and the external expression of the idea and emotion of the dancer.
Therefore, the dance script is characterized as picking out the expression pattern and emblematic image and
making it implicit with the intention of the dancer. Like a design drawing, the dance script can be changed
according to the characteristics and ability of the dancer, suggesting its variability in form. Because the dance
script has no simple regulation of its form or system, it uses expression that can cover the ideas and emotions
of many dancers or authors, and thus the dance script can be variable. The dance script is roughly classified
into three types: a poem form, storytelling form, and remodeling form.
The poem form is an implicative, figurative, and metaphorical expression of the idea and image of the
dancer; the storytelling is a detailed and realistic expression of the synopsis; the remodeling form lists the
main points or words by the numbering system and the type of summary.
The poem is the most used form in the dance script, because it shares implicative, figurative, and
metaphorical characteristics of expression. The storytelling from has recently been used for the trend of
improving the understanding of the audience. The remodeling from possesses the characteristics of the
storytelling form and the summarized pattern, including implicative, figurative, and metaphorical expressions.
The dance script, as the meaning and role of ‘the guide,’ ‘the suggestion,’ ‘the design,’ and ‘the foundation,’
suggests effective ways for the sharing and communication of the direction between dancers and experts as a
collaborator in complicated and specialized processes. And as a transmission source, it provides not only the
sentence but also the implicated intent of the dancers and authors towards the image of the work. Therefore,
further study about the dance script is needed.

참고 자료

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