Reflection of Hemingway and Criticism on Fitzgerald in Negative Symbolism of Females in The Snows of Kilimanjaro.

소개글

고전영화인 The Snows of Kilimanjaro를 메인 자료로 하여, 헤밍웨이와 피츠제럴드를 접목시켜 여성에 대한 표식들을 분석한 영문학 분야 논문입니다.

목차

I. Focusing on the Negative Female Symbolism and Whom the story is Directed to the Story

II. Analysis on Negative Female Symbolism – in the Novel
A. Women as Disconnected Beings in Their Relationship with Men
B. Women as Destructive Beings in Their Relationship with Men

III. Analysis on Negative Female Symbolism, with Machoism – in the Movie

IV. Biographical Aspect of the Story, Including the Negative Female Symbolism

V. Criticism on Fitzgerald, Embodied in the Negative Female Symbolism
A. Hemingway’s Relation with Fitzgerald and Criticism on Him and His Wife
B. The Representation of the Criticism on the Fitzgeralds – in the Novel
C. The Representation of the Criticism on the Fitzgeralds – in the Movie

VI. Reconsidering Direction of the Story Focusing on the Negative Female Symbolism

VII. Works Cited

본문내용

Among the most frequently used symbolic apparatuses are the negative symbols of women. Actually women as femme fatale or as dangerous beings in relationship with men has been evidenced in many works in the past, as argued by a critic of art and literature Mario Praz that “Fatal Women” have always appeared in mythology and literature (qtd. in Anderson 2), which shows that motif of negative female is a part of literary tradition. In this aspect, The Snows of Kilimanjaro continues the tradition of negative female representation, considering that it focuses on the detrimental influence of women on the main character’s writing career when it describes his past life. In The Snows of Kilimanjaro, depiction of spiritual repression by females signifies that it is as much about criticizing F. Scott Fitzgerald as it is about Hemingway himself, as shown in both its novel and film versions.
In order to elaborate on Hemingway’s use of symbolism to negatively characterize..

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참고 자료

Anderson, Leslie Cecile Marie. “The Femme Fatale: A Recurrent Manifestation of Patriarchal Fears.” Diss. The University of British Colombia, 1995. Print.
Baker, Carlos. “The Two African Stories.” Hemingway; A Collection of Critical Essays. Twentieth Century Views Series. Ed. Robert P. Weeks. Englewood Cliffs: PrenticeHall, Inc., 1962. 118-126. Print.
Del Gizzo, Suzanne. "Ernest Hemingway: Machismo and Masochism (review)." Journal of the History of Sexuality 17.2 (2008): 290-295.
Desnoyers, Megan Floyd. Ernest Hemingway: A Storyteller's Legacy. John F. Kennedy Presidential Library Online Resources. John F. Kennedy Presidential Library and Museum. Retrieved 12 Apr. 2015.
Evans, Oliver. “The Snows of Kilimanjaro”: A Revaluation. New York: Modern Language Association, 1961. Print.
“Femme Fatale.” Dictionary. Merriam-Webster, n.d. Web. 25 Apr. 2015.
Fiedler, Leslie. “Men Without Women.” Hemingway; A Collection of Critical Essays. Twentieth Century Views Series. Ed. Robert P. Weeks. Englewood Cliffs: PrenticeHall, Inc., 1962. 86-92. Print.
Gladstein, Mimi Reisel. "Some Fictional Stereotypes of Women in 20th Century American Fiction." (1975).
Hemingway, Earnest. A Moveable Feast. New York: Scribners, 1963. Print.
---. Green Hills of Africa. New York: Permabooks, 1935. Print
---. The Snows of Kilimanjaro and Other Stories. New York: Scribners, 1970. Print.
Hotchner, A. E. After the Strom: The Story, Plus, the Screenplay and a Commentary. New York: Carrol & Graf Publishers, 2001.
Meyers, Jeffrey. “Decoding the parallels between Fitzgerald's Gatsby and Hemingway's The Short Happy Life of Francis Macomber.” ProQuest. June 2014. Web. 06 Apr. 2015.
---. Hemingway: A Biography. New York: Macmillan, 1985. Print.
Park, Yong-Ui. “Symbolism in “The Snows of Kilimanjaro”.” The Journal of American Studies 5.0 (1984): 85-99. Print.
Travers, James. “The Snows of Kilimanjaro – Film Review.” Films de France, 2012. Web. 25 Apr. 2015.