가칠장(假漆匠)의 성격과 역할
(주)코리아스칼라
- 최초 등록일
- 2023.04.03
- 최종 저작일
- 2022.08
- 12페이지/
어도비 PDF
- 가격 4,300원
* 본 문서는 배포용으로 복사 및 편집이 불가합니다.
서지정보
ㆍ발행기관 : 한국건축역사학회
ㆍ수록지정보 : 건축역사연구 / 31권 / 4호
ㆍ저자명 : 장영주, 류성룡
목차
Abstract
1. 서 론
2. 문헌으로 살펴본 가칠장(假漆匠)의 성격
3. 조선왕조의궤(儀軌)를 통해본 가칠장(假漆匠)의 역할
3-1. 가칠장(假漆匠)의 소요물품
3-2. 영건의궤(營建儀軌)에서의 가칠장(假漆匠)과화사(畵師)의 역할분담
3-3. 가칠장(假漆匠)의 명유(明油) 제조와 사용
3-4. 문화재 복원에서의 가칠장(假漆匠)의 부재로인한 문제점
4. 결 론
참고문헌
영어 초록
Gachiljang(假漆匠), along with Jinchiljang(眞漆匠), is an important craftsman who cannot be left out during the finishing process of wooden furniture and wooden buildings during the Joseon Dynasty. The current definition of Gachiljang does not properly explain the nature and role of Gachiljang. In many related terminology dictionaries, Gachiljang is defined as “artisan who dose the base paintwork of Dancheong." But an analysis of the Joseon Dynasty's Uigwe(儀軌) shows that Gachiljang appears frequently in works that are not related to Dancheong at all. Therefore the current definition seems to be inaccurate and need to be revised. Gachiljang is a name that contrasts with Jinchiljang, and he makes and paints Myongyu(明油). Just as Jinchiljang uses not only lacquer but also various pigments to paint colorful lacquer, Gachiljang also uses various pigments to decorate buildings or furniture in a fancy way and then finishs with a transparent paint. Even in the Dancheong(丹靑) work of the building, all the base painting and finish coating work will be in charge of Gachiljang, except for the paintings performed by the Whawon(畫員) or the Whasa(畫師).
참고 자료
없음
