색으로 본 김환기의 작품 세계

서지정보

ㆍ발행기관 : 한국미술이론학회 ㆍ수록지정보 : 미술이론과 현장 / 3권
ㆍ저자명 : 김현숙

목차

I. 머리말
II. 색의 단계적 변화
1. 오방색에 대한 현대적 해석(1935~47/1963~70)
2. 한국의 풍토색ㆍ민족색 탐구(1948~1963)
3. 경계를 해체하는 색(1963~1970)
4. 우주를 인식하는 색, 현색(玄色)(1970~1974)
III. 맺음말
참고문헌
Abstract

영어 초록

Kim Whan-ki is an unusual instance in Korean modern artists, who payed attention to emotional and expressive effects of colors. The color of Whan-ki’s paintings have been recognized as linked with ‘blue’ in spite that he used colors within the category of ‘Colors of Five Directions(五方色)’, which are traditional oriental colors composed of red, blue, yellow, white, green and black. Kim Whan-ki unearthed upon similarity of Five Directions Colors to the three(five) primary colors which modern abstract painter like Mondrian layed down. Whan-ki switched the five directions colors to modern ones. Kim Whan-ki’s dot painting in which pure and watery color is sucked in ground is modernistic adaptation from ink painting. He packs a dot with sky and earth, moon and stars, forest and tree, birds and flowers, friends at his hometown, wind, sound and so on. Putting tens of thousands of these shapes and colors into a dot is modernistic version from ink painting. In that point there is a possibility to say that ‘dark blue’ of the dot painting is ‘Hyun-saec(玄色)’. Eventually we can make sure that Kim Whan-ki’s view of Art originated in oriental philosophy and beauty.

참고 자료

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