한국예이츠학회 The Yeats Journal of Korea Shailesh T. Bagdane, Tushar Patil ... “We are the last Romantics,” Yeats said much avowedly in regard to his romantic worldview and poetic ... Yeats presented a sumptuous synergy of realism with imagination derived from the occult and history,
한국예이츠학회 The Yeats Journal of Korea Hyungseob Lee ... Intertwining bardic artistry with Bergson’s notion that “to perceive is to immobilise,” Yeats astutely ... This study delves into Yeats’s theory of tragedy, dissecting its merits and limitations by placing it
한국예이츠학회 The Yeats Journal of Korea Manashi Bora ... Yeats’s interest in India and the influence of Indian writers and thinkers as well as Indian philosophy ... Yeats’s interests were in fact multifarious and his engagement with the Celtic past, the Orient, the
한국예이츠학회 The Yeats Journal of Korea Hyungseob Lee ... Nevertheless, Yeats knew naturalism was a force he could not simply conjure away. ... It is well-known that Yeats had a strong aversion to naturalism (a disenchanted analytical version of
한국예이츠학회 The Yeats Journal of Korea Rajeev S. Patke ... The paper provides both an overview and selected close readings of Yeats’s practice in respect of the ... In a contemporary world where poets are habitually addicted to free verse, the example of Yeats offers
한국예이츠학회 The Yeats Journal of Korea Zhou Dan ... Based on the theories of ekphrasis, the paper discusses how Yeats melts the various forms and aesthetics ... Yeats makes use of sculptural qualities in his antithetical poetics, which he uses to present the conflicts
한국예이츠학회 The Yeats Journal of Korea Wonkyung Shin ... reading of Platonism, Neo-Platonism, Druidism, and many other philosophies were strongly imprinted on Yeats ... It is noteworthy that among many works of Yeats, The Shadowy Waters and “Sailing to Byzantium” well incorporated
한국예이츠학회 The Yeats Journal of Korea Sung Sook Hong ... In case of Yeats, he adopted the Celtic myth as materials of his dramatic and narrative poems. ... Thus, Yeats tried to juxtapose his own love story with the love story of his heroes in myths.
한국예이츠학회 The Yeats Journal of Korea Kyungsim Chung ... Yeats takes an arguable stand between the Romantic and the Modern. ... typically posed against each other, but the artistic autonomy beyond such binary opposition, which Yeats
한국예이츠학회 The Yeats Journal of Korea Sue Jean Joe ... 논문에서는 예이츠의 후기 시와 산문을 같이 살펴보면서 This paper aims to examine Yeats’s concerns about cultural and spiritual ... subject, I would also look at some of his later poems and prose to read the work in the context of Yeats
한국예이츠학회 The Yeats Journal of Korea 조승 ... with the Bishop,” “An Irish Airman Foresees His Death,” and “The Man and the Echo,” demonstrating how Yeats ... To this end, the article will pay attention to Yeats’s formal manipulation of various poetic elements
한국예이츠학회 The Yeats Journal of Korea Hyunho Shin ... Yeats tries to answer these questions in his writings. ... The purpose of this study is to research the theme of afterlife in Yeats’s later poetry.
한국예이츠학회 The Yeats Journal of Korea Rajeev Patke ... While Yeats was more unguardedly critical and negative in his reaction to Eliot’s poetry and what he ... to symptomatize about contemporary culture, the younger man was defensively cagey about his view of Yeats
한국예이츠학회 The Yeats Journal of Korea Sung Sook Hong ... Yeats’s early poems include the romantic wandering spirit, evoking ancient heroes and fairies; however ... Moreover, all through his life, Yeats seems to have identified himself with a heroic and aristocratic
universality of Yeats’s ideas. ... 한국예이츠학회 The Yeats Journal of Korea Joon Seog Ko ... Yeats overlaps and juxtaposes Plato’s ideas with his own poetic images and symbols, exemplifying the
한국예이츠학회 The Yeats Journal of Korea Young Suck Rhee, Lianggong Luo ... I have considered some important aspects in three poets, Shakespeare, Yeats, and Pound.
한국예이츠학회 The Yeats Journal of Korea Matthew Fay ... the influence of the brothers Frank Fay (1870-1931) and Willie Fay (1872-1947) on the development of Yeats ... Yeats, who wrote in his speech to the Swedish Academy in 1923 of ‘our two best men actors … one a stage-struck
