Mahayana Buddhist (漢字圈 大乘佛敎) View of the Ultimate Reality (窮極的 現實) in Literature (文學) and Film (映畫)

서지정보

ㆍ발행기관 : 세계한자학회 ㆍ수록지정보 : 世界漢字硏究 / 3권 / 1호
ㆍ저자명 : Jae-seong Lee

목차

Abstract
I. The Problem (難點) with the Western(西歐) Style of Reasoning
II. Literary works and Film lead us to encounter pure consciousn
III. A literary text or a film as a vast kongan (公案)
IV. Buddhism for the Future (未來) of Humanity
References

영어 초록

The topics addressed, scope, and approach of this paper involve contemporary postmodern/poststructural critical theory, literary criticism in particular, and Mahayana (大乘)—especially kongan (公案) and hwadu (話頭) Ch’an(Chinese)/Seon(Korean)/Zen (Japanese)—Buddhist thought (佛敎思想) is explained in detail. However, the theoretical ground is only to help the twenty-first century audience to deeply comprehend how literature and film offer us precious opportunity to experience the sublime (崇古)—aesthetic sensibility (美的感覺), through which we glimpse (一見) the ultimate reality (窮極的 現實). It is time now that intellectual (philosophical, critical, academic) explanation and spiritual experience are brought to work together in the common area, literature (文學) and film (映畫). It is important for literary readers to experience someone’s life story in the way of encountering the non-duality (非二重性) of the ultimate reality.

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