* 본 문서는 배포용으로 복사 및 편집이 불가합니다.
서지정보
ㆍ발행기관 : 한국예이츠학회
ㆍ수록지정보 : The Yeats Journal of Korea / 24권
ㆍ저자명 : 신현호
ㆍ저자명 : 신현호
영어 초록
The purpose of this study is to research the relation between Yeats's imagination and the theme of old age, death, and after-life in Yeat's poetry. According to Heraclitus, cosmology is formed aspects of polarity, assuming 'living each other's death, dying each other's life.' The world is conceived as opposition and contradiction, and the human is dual in nature. this dualistic conflict of consciousness has become a basic starting point of his imagination. Yeats recognized the dualistic conflict was an energy of a creative mind and a characteristic of human nature. It brought about the struggle between inner world and outer world. This struggle begins with assuming an individual's anti-self opposed to his primary self. To him, the conflict or struggle, endowed with the meaning of human being existence, is the seed of being of unity. "An Acre of Grass," dealing with the theme of old age, Yeats saw the tragic reality as positive. In spite of decrepitude and quiescence, Yeats said 'Grant me an old man's frenzy, / myself must I remake.' In Yeats's case, great are art is not merely created out of the conjunction of the artist's mind and external world, but rather out of the artist's denial of his primary self and recreation of his mask, the true image of his antithetical self and a fragment of the Anima Mundi. In recreating this fragment he actually creates a higher order of reality than the visible world possesses. Yeats conceive death and life are not divided but connected in "Tower", and "Mohini Chatterjee" as accepting positively human tragic condition. Yeats said that the wheel or cone of the Faculties may be considered to complete its movement between birth and death, that of the Principles to include the period between lives as well in A Vision. In "Byzantium", Yeats deals with the after-life in the view of Four Principles as seeing the soul after death as living reality. To Yeats, the phenomenon of violence, hatred or passion in this world is prerequisite to reincarnation, a creation of other self or true self. After getting rebirth, Yeats tried to reach profane perfection. Looking out over the whole of human life, and its prevailing desolation, he tried to find the proper response to life and suffering in terms of gaiety. Yeats's final response to the old age and death here is no longer the horror, but he accepts the old age and death as the pain of human being with tragic joy through his unique imagination.참고 자료
없음"The Yeats Journal of Korea"의 다른 논문
- Won-Jae Jang, Three Plays by Chi-Jin Yoo4페이지
- 2005년 판, 골드와 투미가 편집한 예이츠의 『신화』5페이지
- ‘Uisneach’ as A Poetic Vision of W.B. Yeats & Seamus He..14페이지
- 「학동들 사이에서」에서 나타난 예이츠와 낭만주의 시인들과의 대화24페이지
- 위로받는 예이츠 -예이츠와 중산계급: “사실의 횡포성” 수용 과정-26페이지
- J. M. Synge’s Riders to the Sea and Its Korean Translat..24페이지
- W. B. 예이츠의 설화시 『두 왕들』연구:신화의 창조적 변용30페이지
- 벤 불벤과 검은 탑: 예이츠의 절명시 두 편 연구24페이지
- 「1916년 부활절」과 여성28페이지
- Visionary Landscape in Coleridge and Yeats24페이지