타부키 텍스트의 ‘포르투갈’ 서술 추이와 이탈리아 식민지 담론 - 공간의 토포스와 헤테로토피아 - (Narrative Transition of Portugal in Tabucchi’s Works and Discourse on Italian Colonization - Topos and Heterotopia of Space -)

서지정보

· 발행기관 : 부산외국어대학교 지중해지역원
· 수록지 정보 : 지중해지역연구 / 18권 / 4호 / 27 ~ 52페이지
· 저자명 : 김희정

초록

Italian novelist Antonio Tabucchi draws on countless images of the Portuguese Empire in his fictional writing in diverse geographies. This article discusses the sudden change in Tabucchi’s images of the Portuguese Empire, which occurred in the early 1990s. At this point, Tabucchi’s Portuguese Empire was no longer a romanticized, Eurocentric space and became instead a brutal, violent world, characterized by subjugation. I seek first to map this shift, focusing on Tabucchi’s 1984 novel Notturno Indiano, his 1991 short story “Notte, Mare o Distanza,” and his 1997 text La Testa Perduta di Damasceno Monteiro. I then wish to locate this shift within the debates surrounding imperial legacy that were taking place in Italy and Portugal in the early 1990s in order to examine whether Tabucchi’s revision of the Portuguese Empire may be contextualized against the reassessment of the Italian colonial experience at that time and in particular against questions regarding whether the Italian Empire was somehow truly different from other imperial models.

영어초록

Italian novelist Antonio Tabucchi draws on countless images of the Portuguese Empire in his fictional writing in diverse geographies. This article discusses the sudden change in Tabucchi’s images of the Portuguese Empire, which occurred in the early 1990s. At this point, Tabucchi’s Portuguese Empire was no longer a romanticized, Eurocentric space and became instead a brutal, violent world, characterized by subjugation. I seek first to map this shift, focusing on Tabucchi’s 1984 novel Notturno Indiano, his 1991 short story “Notte, Mare o Distanza,” and his 1997 text La Testa Perduta di Damasceno Monteiro. I then wish to locate this shift within the debates surrounding imperial legacy that were taking place in Italy and Portugal in the early 1990s in order to examine whether Tabucchi’s revision of the Portuguese Empire may be contextualized against the reassessment of the Italian colonial experience at that time and in particular against questions regarding whether the Italian Empire was somehow truly different from other imperial models.

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