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백제금동대향로 주악 조소상 악기 명칭에 대한 연구 (Five musical instruments of Baekje from the five musicians of Baekjegeumdongdaehyangno (Gilt Incense burner of Baekje period from Neungsan-ri, Buyeo))

25 페이지
기타파일
최초등록일 2025.05.21 최종저작일 2007.12
25P 미리보기
백제금동대향로 주악 조소상 악기 명칭에 대한 연구
  • 미리보기

    서지정보

    · 발행기관 : 한양대학교 음악연구소
    · 수록지 정보 : 음악논단 / 21권 / 21호 / 1 ~ 25페이지
    · 저자명 : 이종구

    초록

    This thesis outlines the five musicians and their instruments that are placed on the top of a gilt incense burner called Baekjegeumdong- daehyangno excavated in 1993 at the temple site near Naseong, Baekje and Neungsan-ri, Gobun-gun with the help of the Buyeo National Museum. Even if it is a small sculpture, the shape of instruments and musicians clearly describe many details regarding a performing pose and the sound structure of each instrument. After discovered this incense burner, three musicologists named it Baekjegeumdongdaehyangno and had officially introduced their materials to all museums and organizations over the world.
    Throughout the long study and research for the theory of instruments, however, I convinced myself that there are a number of unsuitable points on the previous study of the incense burner. In order to lay the foundation of a correct theory, I hereby introduce this thesis on Baekjegeumdong- daehyangno.
    A brief summary is as follows: First, the instrument of the first musician known as percussion is wind instrument that can be assumed a kind of concertina. However, I myself couldn't find a proper name of this instrument therefore, I here call the instrument unnamed instrument of Baekje on my thesis. Second, the second instrument previously known as the kômungo from the right side is closed to the gŭm(琴) which is one of the string instruments from middle China. The kômungo is originally from the Koguryŏ dynasty and the Silk Road. The fact that this instrument was found in there mains of Baekje tells us broad cultural exchanges of people of the country. Third, the instrument in the center of the burner known as the wanham or wolgŭm is closer to various kinds of the three-stringed instruments of Baekje dynasty. Last, there is a fan flute - or tŭngso - like instrument on the left side of Baekjegeumdong- daehyangno. Based on my study, these wind instruments came from the Silk Road and the southern regions.
    In order to support my theory, I provide here the sound structure and function of the instruments that appear on the surface of the incense burner. All musical instances and materials in this thesis are confirmed by renowned musicologists and instrument makers for a long time. There is a crucial importance to studying ancient musical instruments for the various researches and performances of our time. I proudly present this thesis for the foundation of a future reference and will continue to explore ongoing study.

    영어초록

    This thesis outlines the five musicians and their instruments that are placed on the top of a gilt incense burner called Baekjegeumdong- daehyangno excavated in 1993 at the temple site near Naseong, Baekje and Neungsan-ri, Gobun-gun with the help of the Buyeo National Museum. Even if it is a small sculpture, the shape of instruments and musicians clearly describe many details regarding a performing pose and the sound structure of each instrument. After discovered this incense burner, three musicologists named it Baekjegeumdongdaehyangno and had officially introduced their materials to all museums and organizations over the world.
    Throughout the long study and research for the theory of instruments, however, I convinced myself that there are a number of unsuitable points on the previous study of the incense burner. In order to lay the foundation of a correct theory, I hereby introduce this thesis on Baekjegeumdong- daehyangno.
    A brief summary is as follows: First, the instrument of the first musician known as percussion is wind instrument that can be assumed a kind of concertina. However, I myself couldn't find a proper name of this instrument therefore, I here call the instrument unnamed instrument of Baekje on my thesis. Second, the second instrument previously known as the kômungo from the right side is closed to the gŭm(琴) which is one of the string instruments from middle China. The kômungo is originally from the Koguryŏ dynasty and the Silk Road. The fact that this instrument was found in there mains of Baekje tells us broad cultural exchanges of people of the country. Third, the instrument in the center of the burner known as the wanham or wolgŭm is closer to various kinds of the three-stringed instruments of Baekje dynasty. Last, there is a fan flute - or tŭngso - like instrument on the left side of Baekjegeumdong- daehyangno. Based on my study, these wind instruments came from the Silk Road and the southern regions.
    In order to support my theory, I provide here the sound structure and function of the instruments that appear on the surface of the incense burner. All musical instances and materials in this thesis are confirmed by renowned musicologists and instrument makers for a long time. There is a crucial importance to studying ancient musical instruments for the various researches and performances of our time. I proudly present this thesis for the foundation of a future reference and will continue to explore ongoing study.

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