미야자키 하야오(宮崎駿)의 『이웃집 도토로』(となりのトトロ)에 나타난 가족관

최초 등록일
2020.05.19
최종 저작일
2020.05
19페이지/파일확장자 어도비 PDF
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판매자한국학술정보(주)
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자격시험 기출문제풀이 - 서비스 오픈 이벤트

* 본 문서는 배포용으로 복사 및 편집이 불가합니다.

서지정보

발행기관 : 한국일본어교육학회 수록지정보 : 일본어교육 / 91권
저자명 : 히로세에이코 ( Hirose Eiko ) , 권해주 ( Gwon Hae-ju )

영어 초록

The objective of research is to study the view of family in Miyazaki Hayao's “My Neighbour TOTORO”. This movie has been released in 1988, when the destruction of nature and the personalization of families progressed at the forerunner of the bubble economy. And it's based on the rural landscape of Japan in 1955, when rapid economic growth and nuclear family became a part of Japan.Satsuki, the main character, had to act as her mother at the age of 10 because her mother was hospitalized for spinal caries. Satsuki, who was only a good child as an adult child, was converted when his sister Mei got lost. She reached her limit, cried loudly in front of Kanta's grandmother living in the next house, and asked the ghost Totoro for help.As a result of the research, the theme of this movie was “to be a child”. It means to be a child who recognizes and expresses his feelings and ideas as it is. Sometimes they need the courage to take to someone into their confidence and ask for help. In order to present such a message, Miyazaki removed her mother from Satsuki's family who could suppress childhood and impose adult common sense. In order to satisfy Satsuki's feeling without her mother, Kanta and her grandmother in the next house and Totoro, a symbol of motherhood in nature, were placed near her. Here, it was considered that a view of de-family based on pseudo-family and motherhood of nature appeared.

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미야자키 하야오(宮崎駿)의 『이웃집 도토로』(となりのトトロ)에 나타난 가족관