소식 (蘇軾) 특집 2 : 송대회화의 문학화경향과 소동파의 시서화이론

저작시기 1986.01 |등록일 2003.07.10 | 최종수정일 2016.07.17 파일확장자어도비 PDF (pdf) | 30페이지 | 가격 6,500원
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발행기관 : 영남중국어문학회 수록지정보 : 중국어문학 / 11권
저자명 : 안영길 ( Yeong Kil Ahn )

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The characteristics of the arts in Sung-dynasty stressed the spiritual contents thoroughly, ignoring the reconciliation of $quot;form$quot; with $quot;content$quot;. As the result, the contents had a prime significance, and its external appearances had only incidental meaning. Spiritual beauty and expressive beauty rather than external beauty and formal beauty were stressed. And then the nature of art was thought to express an artist`s subjective impulses, i.e. the beauty of an personality. Such spiritualism of the arts of Sung-dynasty as this could be found among the genius artists with Su-Shih(蘇軾), especially in the distinguished literary men and the literary painters. It is certain that such thoughts on arts may become a leading idea of the literary paintings in Yuan and Ming dynasties. It is true that Su-Shih laid stress on the spiritualism thoroughly, but he has an other characteristics in his thoughts on painting, which may not be found in any other literary men. It is not the one-sided stress on the spiritualism, but his observation and paying attention to the problems of technique and expression of the spiritualism Su-Shih, who are called the first class in the sphere of literature and calligraphy in Sung-dynasty, also shows in the sphere of fine arts his surprising genius of his highly refined artistic sensibility. His genius is supposed to be based on the reflections through sensitive observations and aesthetic experience as an artist. If it were not for his criticisms and reflections on realistic technique, the characteristics of the arts of Sung-dynasty would have developed in a different direction. Thus Su-Shih made an decisive moment to form the characteristics and the directions of Chinese literary painting, and we may find his thoughts on arts originated from the thoughts of Zhuang-Zi(莊子).

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