Text 측면에서 본 Mies Van der Rohe 작품의 공간성 연구

서지정보

ㆍ발행기관 : 한국주거학회 ㆍ수록지정보 : 한국주거학회논문집 / 25권 / 6호
ㆍ저자명 : 육옥수

목차

I. 서 론
II. 이론적 배경과 전개
III. 작품 분석
V. 결 론

한국어 초록

It was early in the 20th century when the space was begun to say through the mutual circumstances of form andcontents. Adrian Forty explained that the characteristics of space can be divided into three steps by the period: a spaceof enclosure, a space as continuum and a space as an extension of the body. And there is common condition that allthree spaces are accompanied by the form. In the new thinking of architectural form in terms of text in modern society,architecture becomes to more complex to understanding. Saying that there is nothing outside text (Il n’y a rien endehors du text.) in the world, Jacques Derrida insisted the world to be texted and not to be special centrality, where canbe existed by difference and delay its meaning. Text is the structural meaning (sign), not a metaphorical one (symbol).Without the symbol, the architecture can be recognized as text with signing to the form. For that, there is a questionhow can be explained the space in terms of text extracting the meaning and the symbol. Absolutely not intended byMies van der Rohe, but in his works of houses and pavilion, its characteristics and traces of text can be seen. If it ispossible to analyse his works in the textual view, space of Mies will be found in the same direction of text. And it willbe an important opportunity to re-evaluate the space of Mies works standing in the heart of Modern Architecture.

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