현대 실험극단 <리빙씨어터> 연구 : -앙또넹 아르또(Antonan Artaud)의 연극개념 실천을 중심으로-

서지정보

ㆍ발행기관 : 한국문화예술교육학회 ㆍ수록지정보 : 모드니 예술
ㆍ저자명 : 이원현

목차

Ⅰ. 서 론
Ⅱ. 극단 의 전위적 행위
Ⅲ. 리빙씨어터에게 영향을 미친 아르또의 전위적 경향
Ⅳ. 결 론
참고문헌

영어 초록

Strong opposition to the dominant culture after the Second World War in the 20th century occurred in
the USA and Europe in the 1960's and 1970's and such social changes influenced greatly on the change
of performance types.
This thesis focuses on the Living Theatre that showed the most radical theater type among them. Living Theatre is the representative theatrical company that showed typical participation in social
problems, raising opposition to the traditional dramas by reflecting the US social situations with active
students' movements in those days. Its members attached importance to the message delivering plain and
principle political assertions, development methods that led to audiences' participation and expressions
through the actors' body. In such ways, they became a typical US avant-garde cinema in the 1960's and
1970's and various techniques being introduced and applied by them became the regular theatre style in
the 1960's and 1970's. In this thesis, in order to understand activities of theatrical companies, the
researcher also inspects theatrical concepts and assertions of Antonan Artaud who is acknowledged to come
in contact with Nietzche's artistic directions and genealogy. Although he couldn't realize them on the stage
in his days, his theatrical concepts and assertions would be greatly helpful for grasping the substance of
modern experimental theatre concretely.

참고 자료

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