Pastoral power and Theatricality

저작시기 2014.08 |등록일 2014.11.28 파일확장자어도비 PDF (pdf) | 23페이지 | 가격 6,000원
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서지정보

발행기관 : 한국중세르네상스영문학회 수록지정보 : 중세르네상스 영문학 / 22권 / 2호
저자명 : Tai-Won Kim

목차

DELEGATION OF AUTHORITY AND ITS LIABILITIES
ROYAL DISGUISE AND CONFESSION
PASTORAL POWER AND CONTENDING THEATER
DISCIPLINE AND PUNISH
CONCLUSION
Works Cited
ABSTRACT

영어 초록

This essay attempts to read Shakespeare’s Measure for Measure from the perspective of early modern governmentality in both senses of statecraft and self-government. While assuming that the early modern art of government is involved not only in the proper administration of law and justice, but also in mastering one’s self, I attempt to locate a Shakespearean critique of pastoral power?a politico-theological form of government in early modern Europe?in the Duke Vincentio’s disguise, delegation of authority, and histrionic distribution of justice and mercy. The Duke’s furtive actions as an eavesdropper and voyeur, along with his confessional counseling, lend themselves to an idea of government based on pastoral power. The Duke Vincentio’s pastoral disguise enables individual subjects to make themselves available for the monarch’s inquisitive probing as objects of knowledge. And the delegation of his monarchical power helps himself mobilize political subjection that at once separates and conflates private likings and public duties. His guise as a friar places him at the apex of power through the intelligence he gathers about what people think and do, which, in turn, gives him access to individual motives and intentions. With the power derived from the information he withholds, the Duke can control each of his subjects whose knowledge of the situation is insufficient. If the failure of Angelo’s government is utilized to establish a close relationship between political government and the government of one’s self, it becomes apparent, particularly in the final scenes, that the success of Vincentio’s government cannot but be dependent upon the (un-)willingness of his subjects to govern themselves. So when he Duke’s histrionic distribution of justice and mercy vindicates his voyeuristic practice and surveillance under the guise of priesthood, his secretive project generates not only a mystical aura of pastoral power in the dramatic experience of death and life, but also the power relations relying on the dynamics of concealment and revelation.

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