프란츠 리스트의 가곡 "Pace non trovo"와 <순례 연보> 제2권 중 "Sonetto 104 del Petrarca"의 비교

저작시기 2009.01 |등록일 2010.07.21 파일확장자어도비 PDF (pdf) | 37페이지 | 가격 7,200원
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* 본 문서는 배포용으로 복사 및 편집이 불가합니다.

서지정보

발행기관 : 한국피아노학회 수록지정보 : 피아노음악연구 / 3권 / 69 ~ 105 페이지
저자명 : 박현경 ( Hyun Kyung Park )

영어 초록

The aim of this study is to understand the "Sonetto 104 del Petrarca" from the Annees de Pelerinage better through a comparative study of Liszt`s song and piano work based on the same Petrarchan sonnet. At first, the emotional essence of Petrarca`s sonnets expressed in the song has been examined. Next, such emotional contents and the those expressed in the piano work are compared in order to figure out Liszt`s arrangement techniques and his intentions. Since technical virtuosity in Liszt`s works tends to overshadow its emotional contents, special attention has been paid to the works`s inception and background to promote more balanced understanding of his works. Through analysis of Liszt` works, it became clear that the musical elements such as the progression of melody, harmony, and rhythmic pattern are closely related to the emotional contents of the sonnets. The switch between the major and minor as well as the expressive marks are utilized to reveal the emotional changes in the sonnets, and word-painting is used for concrete representation of the textual contents. Each emotional contents such as the happiness of love, uplifted mind, and passionate psychological states are expressed though appropriate musical means. In a word, Liszt`s songs contribute greatly to clarify and deepen the emotional contents contained in the sonnets. As a result of subsequent comparison of the two versions, it is clear that the modulation and detailed harmonic progression as well as other musical elements such as the melodic progression, rhythmic patterns, and harmonic usage are utilized intact in the piano works without any major changes. In the piano versions, however, the characteristic brilliant cadenza-like passages are interpolated in addition to such common features. These passages are not for empty display of superficial virtuosity but for effective expression of human cordiality. Therefore, it is more important to grasp the hidden emotional contents than just concentrated on its technical brilliancy. Furthermore, the piano versions utilize wider tonal range as a result of frequent appearance of octave doubling or transposition of the melodies in the vocal versions. Such adjustments are necessary for maximizing piano`s potentiality. Through this comparative study, it became clear that the piano version of the sonnet manages to express the emotional contents of the original sonnet without the help of the text. As a result, the intended emotional essence can be recognized more clearly, and the meaning and intention of the musical technique can be appreciated deeply and distinctly. Considering in terms of Liszt`s similar arrangements of other songs, it is clear that he should have an experience-based conviction on the power of purely instrumental music which conveys the emotional contents without any help from the actual text.
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      프란츠 리스트의 가곡 &quot;Pace non trovo&quot;와 &lt;순례 연보&gt; 제2권 중 &quot;Sonetto 104 del Petrarca&quot;의 비교
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