윤이상의 주요음기법을 통하여 나타난 도교사상(Interludium A를 중심으로)

저작시기 2009.01 |등록일 2010.07.21 어도비 PDF (pdf) | 35페이지 | 가격 7,000원

서지정보

발행기관 : 한국피아노학회 수록지정보 : 피아노음악연구 / 3권 / 107 ~ 141 페이지
저자명 : 양윤선 ( Yun Seon Yang )

영어 초록

Isang Yun is one of the great artists from 20th century who combined East Asian art and philosophy to Western music, and produced a music that is performed by Western instruments. In Germany, he got the title of `The Most Important 56 composers in 20th century`, `Living 5th Composer in Europe`, and `The Most Important Composer in 20th century`. Isang Yun`s musics are considerable to European artists. His musics contain unique characteristics in which artists from Europe can not modify. Isang Yun who recognized Western and Eastern culture in a principle of music got spotlight from European musicians. Ideas Isang Yun focused on are Taoism, Buddhism, and `tone` concept from East Asia. He concentrated especially on Taoism. Idea of `Hauptton` which is basis of Isang Yun`s music originated from Eastern sound concept. Therefore, this thesis will be discussed on musical presentation and Taoism that are indulged in Isang Yun`s music through "Interludium A". This piece was created with creativity and unique characteristics of Isang Yun. His life in Korea and Europe, style of music during his life time, what is Taoism and balance of yin and yang, and analysis of hauptton in each parts will be discussed to prove the understanding and hidden meaning of "Interludium A".
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      윤이상의 주요음기법을 통하여 나타난 도교사상(Interludium A를 중심으로)