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서지정보
ㆍ발행기관 : 한국중국문화학회
ㆍ수록지정보 : 중국학논총
ㆍ저자명 : 이은상
ㆍ저자명 : 이은상
목차
1. 서론2. 화려한 삽화본 통속문학 출판
3. 삽화와 言志 커뮤니케이션의 전환
1) 왜 《서상기》인가?
2) 출판과 言志 커뮤니케이션
3) 문인의 삽화 제작―陳洪綬의 경우
4. 결론
【參考文獻】
한국어 초록
Poetry was a main media for Chinese literati to express their identities. The literati during the late Ming and early Qing turned their concern to the publication of popular literature. They came to realize popular literature to be a new way of 'expressing their intention.' The production of high-quality illustrated fiction and play through seventeenth century coincided with that.By 1700, book illustrators and literati artists had generally gone separate ways, and book illustration, like other commercial arts, had been denigrated to the category of mere craft work. Likewise, most printed illustrations for books, particularly popular literature, declined in quality during the Qing. The period from 1580 to 1700 coincided with that of literati's resistance toward the political disorder of late Ming and the censorship of thought of early Qing authority. The publication of high-quality illustrated books of popular literature, especially that of The Record of Western Chamber, was conceived among literati of the era as a new media for the expression of identity.
영어 초록
Poetry was a main media for Chinese literati to express their identities. The literati during the late Ming and early Qing turned their concern to the publication of popular literature. They came to realize popular literature to be a new way of 'expressing their intention.' The production of high-quality illustrated fiction and play through seventeenth century coincided with that. By 1700, book illustrators and literati artists had generally gone separate ways, and book illustration, like other commercial arts, had been denigrated to the category of mere craft work. Likewise, most printed illustrations for books, particularly popular literature, declined in quality during the Qing. The period from 1580 to 1700 coincided with that of literati's resistance toward the political disorder of late Ming and the censorship of thought of early Qing authority. The publication of high-quality illustrated books of popular literature, especially that of The Record of Western Chamber, was conceived among literati of the era as a new media for the expression of identity.참고 자료
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