한컴오피스 
소개글
엘리엇 시의 소리와 의미에 대하여목차
없음본문내용
Since T. S. Eliot uses extraordinarily complex variations in his verse form, most of his prosodic works have been understood through organic contrasts between alternating pattern and free verse, between natural and artificial sound, and between the sense of allegorical references and the art of objective correlative contexts. The notion of such dominating contrasts has essential significance in understanding a logic of poetic representation that Eliot wants to call into question in a certain way within the context of modernism, as Eliot defines modern poetry in his "The Use of Poetry & the Use of Criticism," as "progress in self-consciousness" in poetry (113).Yet one of the ignored essential approaches to Eliot`s poetry lies in the way it operates to dissolve such conventional oppositions, contrasts, and determinations between sound and sense, being and unbeing, and individual logical reason and traditional supernatural myth. In addition, this approach can lead to the theory that these complex contrasts can be resolved organically through the images of sound in his poetry. As a result, many prosodic variations are
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